MATRYONA (to ANISYA). He's going; it seems he means to bury it.
Nikita, you'd better take the lantern!
NIKITA (does not heed her, but listens by the cellar door). I can hear
nothing! I suppose it was fancy! (Moves away, then stops.) How the
little bones crunched under me. Krr ... kr.... What have they made me
do? (Listens again.) Again whimpering! It's really whimpering! What
can it be? Mother! Mother, I say!
[Goes up to her.
MATRYONA. What is it, sonny?
NIKITA. Mother, my own mother, I can't do any more! Can't do any more!
My own mother, have some pity on me!
MATRYONA. Oh dear, how frightened you are, my darling! Come, come,
drink a drop to give you courage!
NIKITA. Mother, mother! It seems my time has come! What have you done
with me? How the little bones crunched, and how it whimpered! My own
mother! What have you done with me?
[Steps aside and sits down on the sledge.
MATRYONA. Come, my own, have a drink! It certainly does seem uncanny
at night-time. But wait a bit. When the day breaks, you know, and one
day and another passes, you'll forget even to think of it. Wait a bit;
when the girl's married we'll even forget to think of it. But you go
and have a drink; have a drink! I'll go and put things straight in the
cellar myself.
NIKITA (rouses himself). Is there any drink left? Perhaps I can drink
it off!
[Exit.
[ANISYA, who has stood all the time by the door, silently makes
way for him.
MATRYONA. Go, go, honey, and I'll set to work! I'll go down myself and
dig! Where has he thrown the spade to? (Finds the spade, and goes down
into the cellar.) Anisya, come here! Hold the light, will you?
ANISYA. And what of him?
MATRYONA. He's so frightened! You've been too hard with him. Leave him
alone, he'll come to his senses. God help him! I'll set to work
myself. Put the lantern down here. I can see.
[MATRYONA disappears into the cellar.
ANISYA. (looking towards the door by which Nikita entered the hut).
Well, have you had enough spree? You've been puffing yourself up, but
now you'll know how it feels! You'll lose some of your bluster!
NIKITA (rushes out of the hut towards the cellar). Mother! Mother, I
say!
MATRYONA (puts out her head). What is it, sonny?
NIKITA (listening) Don't bury it, it's alive? Don't you hear? Alive!
There--it's whimpering! There ... quite plain!
MATRYONA. How can it whimper? Why, you've flattened it into a pancake!
The whole head is smashed to bits!
NIKITA. What is it then? (Stops his ears.) It's still whimpering! I am
lost! Lost! What have they done with me?... Where shall I go?
[Sits down on the step.
CURTAIN
* * * * *
VARIATION
Instead of the end of Act IV. (from the words, "ANISYA. I'll find one.
I know how to do it. [Exit]") the following variation may be read, and
is the one usually acted.
* * * * *
SCENE II
The interior of the hut as in Act I.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account