Reflections on the death of a porcupine and other essaysLawrence, D. H. (David Herbert)
Philosophy
Reflections on the death of a porcupine and other essays
Lawrence, D. H. (David Herbert)
English essays -- 20th century
The snake is the spirit of the great corruptive principle, the festering
cold of the marsh. This is how he seems, as we look back. We revolt from
him, but we share the same life and tide of life as he. He struggles as
we struggle, he enjoys the sun, he comes to the water to drink, he curls
up, hides himself to sleep. And under the low skies of the far past
æons, he emerged a king out of chaos, a long beam of new life. But the
vulture looms out in sleep like a rock, invincible within the hoary,
static form, invincible against the flux of both eternities.
One day there was a loud, terrible scream from the garden, tearing the
soul. Oh, and it was a snake lying on the warm garden bed, and in his
teeth the leg of a frog, a frog spread out, screaming with horror. We
ran near. The snake glanced at us sharply, holding fast to the frog,
trying to get further hold. In so trying, it let the frog escape, which
leaped convulsed, away. Then the snake slid noiselessly under cover,
sullenly, never looking at us again.
We were all white with fear. But why? In the world of twilight as in the
world of light, one beast shall devour another. The world of corruption
has its stages, where the lower shall devour the higher, _ad infinitum_.
So a snake, also, devours the fascinated bird, the little, static bird
with its tiny skull. Yet is there no great reptile that shall swallow
the vulture?
As yet, the vulture is beyond life or change. It stands hard, immune
within the principle of corruption, and the principle of creation,
unbreakable. It is kept static by the fire of putrescence, which makes
the void within balance the void without. It is a changeless tomb
wherein the latter stages of corruption take place, counteracting
perfectly the action of life. Life devours death to keep the static
nullity of the form.
So the ragged, grey-and-black vulture sits hulked, motionless, like a
hoary, foul piece of living rock, its naked head and neck sunk in, only
the curved beak protruding, the naked eyelids lowered. Motionless,
beyond life, it sits on the sterile heights.
It does not sleep, it stays utterly static. When it spreads its great
wings and floats down the air, still it is static, still this is the
sleep, a dream-floating. When it rips up carrion and swallows it, it is
still the same dream-motion, static, beyond the inglutination. The
naked, obscene head is always fast locked, like stone.
It is this naked, obscene head of a bird, sleep-locked, a petrified knot
of sleep, that I cannot bear to think of. When I think of it, I neither
live nor die, I am petrified into foulness. The knot of volition, the
will knotted upon a perpetuated moment, will not now be unloosed for
ever. It will remain hoary, unchanging, timeless. Till it disappears,
suddenly. Amid all the flux of time, of the two eternities, this head
remains unbroken in a cold, rivetted sleep. But one day it will be
broken.
Public-domain text, read in full here on John Shaqi.
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