The land on which the Old South stands is very valuable for business purposes, and $400,000 will have to be raised in order to preserve the old landmark to future generations. I earnestly hope that it will be secured, and that the old meeting-house--dear not alone to the people of Boston, but to the millions of Americans scattered from sea to sea, who cannot forget where first universal freedom plumed its wings--will be spared to entertain within its hospitable walls, enthusiastic and reverential visitors for ages without end. Knights of the Pen. When you come to think of it, it is surprising that so many newspaper men write so that any one but an expert can read it. The rapid and voluminous work, especially of daily journalism, knocks the beautiful business college penman, as a rule, higher than a kite. I still have specimens of my own handwriting that a total stranger could read. I do not remember a newspaper acquaintance whose penmanship is so characteristic of the exacting neatness and sharp, clear cut style of the man, as is that of Eugene Field, of the Chicago _News_. As the “Nonpareil Writer” of the Denver _Tribune_, it was a mystery to me when he did the work which the paper showed each day as his own. You would sometimes find him at his desk, writing on large sheets of “print paper” with a pen and violet ink, in a hand that was as delicate as the steel plate of a bank note and the kind of work that printers would skirmish for. He would ask you to sit down in the chair opposite his desk, which had two or three old exchanges thrown on it. He would probably say, “Never mind those papers. I've read them. Just sit down on them if you want to.” Encouraged by his hearty manner, you would sit down, and you would continue to sit down till you had protruded about three-fourths of your system through that hollow mockery of a chair. Then he would run to help you out and curse the chair, and feel pained because he had erroneously given you the ruin with no seat to it. He always felt pained over such things. He always suffered keenly and felt shocked over the accident until you had gone away, and then he would sigh heavily and “set” the chair again. [Illustration: THE RUIN.] Frank Pixley, the editor of the San Francisco _Argonaut_, is not beautiful, though the _Argonaut_ is. He is grim and rather on the Moses Montefiore style of countenance, but his hand-writing does not convey the idea of the man personally, or his style of dealing with the Chinese question. It is rather young looking, and has the uncertain manner of an eighteen-year-old boy. Robert J. Burdette writes a small but plain hand, though he sometimes suffers from the savage typographical error that steals forth at such a moment as ye think not, and disfigures and tears and mangles the bright eyed children of the brain.