Rest Harrow: A Comedy of ResolutionHewlett, Maurice
General
Rest Harrow: A Comedy of Resolution
Hewlett, Maurice
Fiction
“And Nevile knows it. He believes it. He would say it anywhere. He's
difficult, is Nevile; a wayward beggar. He's been his own master since
he was sixteen; asked, and had. It's hard to make him understand that he
can't go on. But he can't, the old sweep, when you put in your say. You
know his way--he puts his desires in the shape of truisms. He states
them--that's all he has to do--they become immutable laws. Very
imposing, his desires, put like that. They've imposed upon me; they've
imposed upon _you_ in their day. Well, with a man like that, you know,
you can't take him up too short. Go slow, go slow. What was it I heard
Clyde saying to you just now? Who's queen of herself is queen of the
world--what? Now, that's quite true. One for Clyde. Apply that to old
Nevile. Queen of herself! Why, what else are you? And what's Nevile
but the blundering world in a man's skin? Well, queen it, queen it--and
there's your kingdom under your feet. Marry the old chap, Sancie. You
put everything right; you take your proper place. The county! But what
are counties to you? You smile--and you may well smile. Let the county
go hang; but there's Vicky. She's more than county to you. There's
Melusine, there's Philippa, there's Hawise; there's your good old dad,
there's your lady mother. You get 'em all. And Nevile's biting his nails
for it. And a free man. Come now.”
She had listened, that's certain; she hadn't been displeased. He had
seen her eyes grow dreamy, he had marked her rising breast. Rising and
falling, rising and falling, like lilies swayed by flowing water. That
betokened no storm, nor flood; that meant the stirring of the still
deeps, not by violent access, but by slow-moving, slow-gathered, inborn
forces. Had he had eloquence, he thought, as he watched her, he had won.
But he was anxious. She was such a deep one.
[Illustration: He had eloquence, he thought, as he watched her, he had
won. But he was anxious. She was such a deep one.]
When she spoke there sounded to be a tinge of weariness in her voice;
she dragged her sentences, as if she foresaw her own acts, and was
tired in advance. She seemed almost to be pitying her fate. At first she
looked down at her hands in her lap, at her fingers idly interweaving;
but midway of her drawn-out soliloquy--for she seemed to be talking to
herself--she turned him her eyes, and he plumbed their depths in vain.
Public-domain text, read in full here on John Shaqi.
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