Reveries of a Bachelor; or, A Book of the HeartMitchell, Donald Grant
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Reveries of a Bachelor; or, A Book of the Heart
Mitchell, Donald Grant
American essays -- 19th century
A quiet road passes within a short distance of me, and crosses the brook
by a rude timber bridge; beside the bridge is a broad glassy pool,
shaded by old maples and hickories, where the cattle drink each morning
on their way to the hill pastures. A step or two beyond the stream a
lane branches across the meadows to the mansion with the tall chimneys.
I can just remember now, the stout, broad-shouldered old gentleman, with
his white hat, his long white hair, and his white-headed cane, who built
the house, and who farmed the whole valley around me. He is gone, long
since; and lies in a graveyard looking upon the sea! The elms that he
planted shake their weird arms over the mouldering roofs; and his fruit
garden shows only a battered phalanx of mossy limbs, which will scarce
tempt the July marauders.
In the other direction, upon this side the brook, the road is lost to
view among the trees; but if I were to follow the windings upon the
hillside, it would bring me shortly upon the old home of my grandfather;
there is no pleasure in wandering there now. The woods that sheltered it
from the northern winds are cut down; the tall cherries that made the
yard one leafy bower are dead. The cornice is straggling from the eaves;
the porch has fallen; the stone chimney is yawning with wide gaps.
Within, it is even worse; the floors sway upon the mouldering beams; the
doors all sag from their hinges; the rude frescos upon the parlor wall
are peeling off; all is going to decay—And my grandfather sleeps in a
little graveyard by the garden wall.
A lane branches from the country road, within a few yards of me, and
leads back, along the edge of the meadow, to the homely cottage, which
has been my special care. Its gray porch and chimney are thrown into
rich relief by a grove of oaks that skirts the hill behind it; and the
doves are flying uneasily about the open doors of the granary and barns.
The morning sun shines pleasantly on the gray group of buildings; and
the lowing of the cows, not yet driven afield, adds to the charming
homeliness of the scene. But alas for the poor azaleas, and laurels, and
vines that I had put out upon the little knoll before the cottage
door—they are all of them trodden down: only one poor creeper hangs its
loose tresses to the lattice, all disheveled and forlorn!
This by-lane which opens upon my farmhouse, leaves the road in the
middle of a grove of oaks; the brown gate swings upon an oak tree—the
brown gate closes upon an oak tree. There is a rustic seat, built
between two veteran trees that rise from a little hillock near by. Half
a century ago there was a rustic seat on the same hillock—between the
same veteran trees. I can trace marks of the old blotches upon the bark,
and the scars of the nails upon the scathed trunks. Time and time again
it has been renewed. This, the last, was built by my own hands—a
cheerful and a holy duty.
Public-domain text, read in full here on John Shaqi.
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