Ridgway of Montana: A story of to-day, in which the hero is also the villainRaine, William MacLeod
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Ridgway of Montana: A story of to-day, in which the hero is also the villain
Raine, William MacLeod
Montana -- Fiction; Western stories
It was not till mid-afternoon of the next day that Mott found time to
join him and run over with him the details of such unfinished business
as the office had taken up. The retiring manager was courtesy itself,
nor did he feel any bitterness against his successor. Nevertheless, he
came to the end of office hours with great relief. The day had been a
very hard one, and it left him with a longing for solitude and the wide
silent spaces of the open hills. He struck out in the direction which
promised him the quickest opportunity to leave the town behind him. A
good walker, he covered the miles rapidly, and under the physical
satisfaction of the tramp the brain knots unraveled and smoothed
themselves out. It was better so—better to live his own life than the
one into which he was being ground by the inexorable facts of his
environment. He was a young man and ambitious, but his hopes were not
selfish. At bottom he was an idealist, though a practical one. He had
had to shut his eyes to many things which he deplored, had been driven
to compromises which he despised. Essentially clean-handed, the soul of
him had begun to wither at the contact of that which he saw about him
and was so large a part of.
“I am not fit for it. That is the truth. Mott has no imagination, and
property rights are the most sacred thing on earth to him. He will do
better at it than I,” he told himself, as he walked forward bareheaded
into the great sunset glow that filled the saddle between two purple
hills in front of him.
As he swung round a bend in the road a voice, clear and sweet, came to
him through the light filtered air.
“Laska!”
A young woman on horseback was before him. Her pony stood across the
road, and she looked up a trail which ran down into it. The lifted
poise of the head brought out its fine lines and the distinction with
which it was set upon the well-molded throat column. Apparently she was
calling to some companion on the trail who had not yet emerged into
view.
At sound of his footsteps the rider’s head turned.
“Good afternoon, Mr. Hobart,” she said quietly, as coolly as if her
heart had not suddenly begun to beat strangely fast.
“Good afternoon, Miss Balfour.”
Each of them was acutely conscious of the barrier between them. Since
the day when she had told him of her engagement they had not met, even
casually, and this their first sight of each other was not without
embarrassment.
“We have been to Lone Pine Cone,” she said rather hurriedly, to bridge
an impending silence.
He met this obvious statement with another as brilliant.
“I walked out from town. My horse is a little lame.”
But there was something she wanted to say to him, and the time for
saying it, before the arrival of her companion, was short. She would
not waste it in commonplaces.
“I don’t usually read the papers very closely, but this morning I read
both the Herald and the Sun. Did you get my note?”
“Your note? No.”
Public-domain text, read in full here on John Shaqi.
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