Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.Kunz, George Frederick
History
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
Kunz, George Frederick
Rings; Rings -- Folklore
In the large ring collections of royal treasuries or of wealthy nobles
in mediæval times, the rings with precious-stone settings were often
classified according to the particular stones, and then those of each
of these classes were strung on one or more small sticks or wands
(_bacula_). Among King John’s (1167–1216) jewels in the Tower
of London, an inventory of 1205 lists several such _baculæ_,
one with 26 diamonds, two with 40 and 47 emeralds, respectively,
another shorter one with 7 “good” topazes and still another with 9
turquoises.[98] Jewellers also, were wont to keep their rings strung on
such small rods, an example of this being shown in a portrait depicting
a jeweller, painted by an unknown German artist of the sixteenth or
seventeenth century.
With other royal collections of rings the classified set rings were
kept already in ancient times in _dactyliothecæ_, or ring-caskets,
the term _dactyliotheca_ coming to be used later more broadly as
an equivalent for “ring collection” or even “gem collection.” In 1272
the Crown Jewels of Henry III of England included a number of these
ring boxes, four of them for 106 ruby, or balas-ruby rings, two for
38 emerald rings, one for 20 sapphire rings, and another for 11 topaz
rings and one set with a peridot.[99]
The following description of a jade (nephrite) ringbox of
seventeenth-century Indian workmanship, in the Heber R. Bishop
Collection, is given in one of the great folios treating of these
wonderful jades.[100]
A small covered box of three compartments in the form of three
compressed plums (or similar fruit) held together by the twigs
and leaves of a leafy branch which projects to form a handle, and
hollowed out to form a receptacle for finger-rings, studs or the
like. The box proper is decorated underneath with leaves carved
in slight relief, and is flanged on the edges to receive the
three upper segments of the fruit which forms the cover and are
similarly decorated on top with plum blossoms and held together
by a twig, a leaf, and an upright bud which serves as a handle.
The whole is very daintily cut and polished, and is so thin and of
such translucency that print in contact with it can easily be read
through it. The mineral is remarkably pure and resembles a pale
transparent horn.
While the Greeks and Romans did not usually wear rings on the middle
finger, the Gauls and Britons adorned it in this way. In the sixteenth
century it was customary to assign rings as follows, according to the
quality of the wearer:[101]
To the thumb for doctors.
To the index finger for merchants.
To the middle finger for fools.
To the annular finger for students.
To the auricular finger for lovers.
Public-domain text, read in full here on John Shaqi.
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