"Once I saw a curious sight; I saw seven or eight cranes dance a
cotillon, or something very much like it. I have since read of wild
fowl performing in that way, but then I had never heard of it. They
were in a meadow about half a mile from the house; I did not at all
understand what they were doing, and proceeded to investigate. After
walking as near as I could without frightening them, I crept through
the tall grass until I was within a rod of the cranes, and then lay
and watched them. It was the most comical sight to see them waltz
around, sidle up to each other and back again, their long necks and
legs making the most clumsy motions. With a little stretch of the
imagination one might see a smirk on their faces, and suspect them of
caricaturing human beings. There seemed to be a regular method in their
movements, for the changes were repeated. How long they kept it up I
do not know, for I tired of it, and went back to the house, but they
had danced until the grass was trampled down hard and smooth. I always
had a mania for trying experiments, so I coaxed my mother to cook one
the men had shot, though I had never heard of any one's eating crane.
It was not very good, tasted somewhat peculiar, and the thought that
maybe it was poison struck me with horror. I was badly scared, for I
reflected that I had no proof that it was _not_ poison, and I had been
told so many times that I was bound to come to grief, sooner or later,
from trying to find out things."
I am always glad to have the views of a sensible person, outside of
the literary circles, upon my favorite authors, especially when the
views are spontaneous. "Speaking of Thoreau," says my correspondent,
"I am willing to allow most that is said in his praise, but _I do not
like him_, all the same. Do you know I feel that he was not altogether
human. There is something uncanny about him. I guess that, instead
of having a human soul, his body was inhabited by some sylvan deity
that flourished in Grecian times; he seemed out of place among human
beings."
Public-domain text, read in full here on John Shaqi.
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