The rebuilt University College and Oriel and the new Jesus may be grouped together. They have in common the beautiful treatment of the upper windows as a series of little gables in place of the tiresome screen of battlements. The front of Jesus is a modern disguise, the clever but unsympathetic work of Mr. Buckler. It replaces the old Elizabethan front with its gateway in the fashion of the beautiful one of St. Alban's Hall. The Jesus gate, however, had been obscured by a heavy rusticated screen. Brasenose gained in the Jacobean Period its exquisite dormer windows; Lincoln its homely second quad and lovely chapel. Another fine example is the hall and chapel of St. Mary Hall. In Merton four of the five orders of the Schools Tower were reproduced. The chief author of all this work was a Thomas Holt of York. Among his followers were the brothers Bentley, and Acroide, Oxford builders. A greater name is associated with the new quad of St. John's. In this Inigo Jones was mastered by the genius of the place, and constrained to build the wonderful garden front. Inside the quad he had his own way in the colonnades, but he was more in character still when he designed the Danvers Gateway of the new Physic Garden, and plotted its wall and walks. Here, at last, in a quiet corner of the place, where science was beginning in a gentle way to stir, the English Gothic tradition of building was fairly broken, and the key struck of the manner that in the end of the seventeenth and first half of the eighteenth century gave Oxford its sturdy and picturesque English Classic. Soon after, the troubled times of the Civil War, the rather farcical, but disastrous siege of Oxford, "leaving no face of a University," and the subsequent spoiling of the colleges by the Puritans, must have served very effectually to snap the chain of building tradition, and make a blank for the new ideas. [Illustration: THE DOME OF THE RADCLIFFE, FROM BRASENOSE.]