Robin Hood: A collection of all the ancient poems, songs, and ballads, now extant, relative to that celebrated English outlaw. To which are prefixed historical anecdotes of his life.
General
Robin Hood: A collection of all the ancient poems, songs, and ballads, now extant, relative to that celebrated English outlaw. To which are prefixed historical anecdotes of his life.
Ballads, English -- England -- Texts; Outlaws -- Poetry; Robin Hood (Legendary character) -- Poetry; Songs, English -- England -- Texts
“By the bare scalp of Robin Hood’s fat frier,” is an oath put
by Shakespeare into the mouth of one of his outlaws in the _Two
Gentlemen of Verona_, act iv. scene 1. “Robin Hood’s fat frier” is
Frier Tuck; a circumstance of which Doctor Johnson, who set about
explaining that author with a very inadequate stock of information,
was perfectly ignorant.
(30) —“_his songs have been preferred, not only on the most
solemn occasion to the psalms of David, but in fact to the New
Testament._”] [“On Friday, March 9th, 1733] was executed at
Northampton William Alcock for the murder of his wife. He never
own’d the fact, nor was at all concern’d at his approaching death,
refusing the prayers and assistance of any persons. In the morning
he drank more than was sufficient, yet sent and paid for a pint of
wine, which being deny’d him, he would not enter the cart before he
had his money return’d. On his way to the gallows he sung part of
an old song of Robin Hood, with the chorus, Derry, derry, down,[74]
&c., and swore, kick’d and spurn’d at every person {xcii} that laid
hold of the cart; and before he was turn’d off, took off his shoes,
to avoid a well-known proverb; and being told by a person in the
cart with him, it was more proper for him to read, or hear some
body read to him, than so vilely to swear and sing, he struck the
book out of the person’s hands, and went on damning the spectators,
and calling for wine. Whilst psalms and prayers were performing at
the tree, he did little but talk to one or other, desiring some to
remember him, others to drink to his good journey; and to the last
moment declared the injustice of his case” (Gentleman’s Magazine,
vol. iii. P. 154).
To this maybe added, that at Edinburgh, in 1565, “Sandy Stevin
menstrall [_i.e._ musician] was convinced of blasphemy, alledging,
That he would give no moir credit to The new testament, then to
a tale of Robin Hood, except it wer confirmed be the doctours of
the church” (Knox’s Historie of the Reformation in Scotland, Edin.
1732, p. 368).
William Roy, in a bitter satire against Cardinal Wolsey, intitled,
“Rede me and be nott wrothe For I saye nothynge but trothe,”
printed abroad, about 1525, speaking of the bishops, says:
“Their frantyke foly is so pevisshe,
That they contempne in Englisshe,
To have the new testament;
But as for tales of Robyn Hode,
With wother jestes nether honest nor goode,
They have none impediment.”
To the same effect is the following passage in another old libel
upon the priests, intitled “I playne Piers which can not flatter, a
plowe-man men me call,” &c. b. l. n. d. printed in the original as
prose:
Public-domain text, read in full here on John Shaqi.
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