"Come on," invites the Ohioan, "and have some drinks. I've been at
it--for two days, but the inf--ernal stuff won't bite like it used to.
Goodall of Memphis, what's your respiration?"
"Twenty-four."
"Daily--temperature?"
"Hundred and four."
"You can do it in two days. It'll take me a--week. Tank up, friend
Goodall--have all the fun you can; then--off you go, in the middle of
a jag, and s-s-save trouble and expense. I'm a s-son of a gun if this
ain't a health resort--for your whiskers! A Lake Erie fog'd get lost
here in two minutes."
"You said something about a drink," says Goodall.
A few minutes later they line up at a glittering bar, and hang upon the
arm rest. The bartender, blond, heavy, well-groomed, sets out their
drinks, instantly perceiving that he serves two of the Three Thousand.
He observes that one is a middle-aged man, well-dressed, with a lined
and sunken face; the other a mere boy who is chiefly eyes and overcoat.
Disguising well the tedium begotten by many repetitions, the server of
drinks begins to chant the sanitary saga of Santone. "Rather a moist
night, gentlemen, for our town. A little fog from our river, but nothing
to hurt. Repeated Tests."
"Damn your litmus papers," gasps Toledo--"without any--personal offense
intended."
"We've heard of 'em before. Let 'em turn red, white and blue. What we
want is a repeated test of that--whiskey. Come again. I paid for the
last round, Goodall of Memphis."
The bottle oscillates from one to the other, continues to do so, and is
not removed from the counter. The bartender sees two emaciated invalids
dispose of enough Kentucky Belle to floor a dozen cowboys, without
displaying any emotion save a sad and contemplative interest in the
peregrinations of the bottle. So he is moved to manifest a solicitude as
to the consequences.
"Not on your Uncle Mark Hanna," responds Toledo, "will we get drunk.
We've been--vaccinated with whiskey--and--cod liver oil. What would send
you to the police station--only gives us a thirst. S-s-set out another
bottle."
It is slow work trying to meet death by that route. Some quicker way
must be found. They leave the saloon and plunge again into the mist. The
sidewalks are mere flanges at the base of the houses; the street a cold
ravine, the fog filling it like a freshet. Not far away is the Mexican
quarter. Conducted as if by wires along the heavy air comes a guitar's
tinkle, and the demoralizing voice of some señorita singing:
"En las tardes sombrillos del invierro
En el prado a Marar me reclino
Y maldigo mi fausto destino--
Una vida la mas infeliz."
The words of it they do not understand--neither Toledo nor Memphis,
but words are the least important things in life. The music tears the
breasts of the seekers after Nepenthe, inciting Toledo to remark:
"Those kids of mine--I wonder--by God, Mr. Goodall of Memphis, we had
too little of that whiskey! No slow music in mine, if you please. It
makes you disremember to forget."
Public-domain text, read in full here on John Shaqi.
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