Roman Antiquities, and Ancient Mythology: For Classical Schools (2nd ed)Dillaway, Charles K. (Charles Knapp)
History
Roman Antiquities, and Ancient Mythology: For Classical Schools (2nd ed)
Dillaway, Charles K. (Charles Knapp)
Mythology, Classical; Rome -- Antiquities
It was part of his function to attend on the dying, detach their souls
from their bodies, and conduct them to the infernal regions. In
conjunction with Hercules, he patronized wrestling and the gymnastic
exercises; to show that address upon these occasions should always be
united with force. The invention of the art of thieving was attributed
to him, and the ancients used to paint him on their doors, that he, as
god of thieves, might prevent the intrusion of others. For this reason
he was much adored by shepherds, who imagined he could either preserve
their own flocks from thieves, or else help to compensate their losses,
by dexterously stealing from their neighbors.
At Rome on the fifteenth of May, the month so named from his mother, a
festival was celebrated to his honor, by merchants, traders, &c. in
which they sacrificed a sow, sprinkled themselves, and the goods they
intended for sale, with water from his fountain, and prayed that he
would both blot out all the frauds and perjuries they had already
committed, and enable them to impose again on their buyers.
Mercury is usually described as a beardless young man, of a fair
complexion, with yellow hair, quick eyes, and a cheerful countenance,
having wings annexed to his hat and sandals, which were distinguished by
the names of _petăsus_ and _talaria_: the _caduceus_, in his hand, is
winged likewise, and bound round with two serpents: his face is
sometimes exhibited half black, on account of his intercourse with the
infernal deities: he has often a purse in his hand, and a goat or cock,
or both, by his side.
The epithets applied to Mercury by the ancients were Εναγωνιος, the
presider over combats; Στροφαιος, the guardian of doors; Εμπολαιος, the
merchant; Εριουνιος, beneficial to mortals; Δολιος, subtle; Ἡγεμονιος,
the guide, or conductor.
As to his origin, it must be looked for amongst the Phœnicians. The bag
of money which he held signified the gain of merchandise; the wings
annexed to his head and his feet were emblematic of their extensive
commerce and navigation; the caduceus, with which he was said to conduct
the spirit of the deceased to Hades, pointing out the immortality of the
soul, a state of rewards and punishments after death, and a
resuscitation of the body: it is described as producing three leaves
together, whence it was called by Homer, the _golden three-leaved wand_.
BACCHUS was the son of Jupiter, by Semĕle, daughter of Cadmus, king of
Thebes, in which city he is said to have been born. He was the god of
good-cheer, wine, and hilarity; and of him, as such, the poets have not
been sparing in their praises: on all occasions of mirth and jollity,
they constantly invoked his presence, and as constantly thanked him for
the blessings he bestowed. To him they ascribed the forgetfulness of
cares, and the delights of social converse.
Public-domain text, read in full here on John Shaqi.
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