It grew upon me as I thought. Don Balthasar, I understood, was apprised of my arrival. As in a dream, I followed the old negro, who had returned to the door of my room. It grew upon me in the silence of this colonnaded court. We walked along the upper gallery; his cane tapped before me on the tessellated pavement; below, the water splashed in the marble basins; glass lanthorns hung glimmering between the pillars and, in wrought silver frames, lighted the broad white staircase. Under the inner curve of the vaulted gateway a black-faced man on guard, with a bell-mouthed gun, rose from a stool at our passing. I thought I saw Castro’s peaked hat and large cloak flit in the gloom into which fell the light from the small doorway of a sort of guardroom near the closed gate. We continued along the arcaded walk; a double curtain was drawn to right and left before me, while my guide stepped aside. In a vast white apartment three black figures stood about a central glitter of crystal and silver. At once the aged, slightly mechanical voice of Don Balthasar rose thinly, putting himself and his house at my disposition. The formality of movements, of voices, governed and checked the unbounded emotions of my wonder. The two ladies sank, with a rustle of starch and stiff silks, in answer to my profound bow. I had just enough control over myself to accomplish that, but mentally I was out of breath; and when I felt the slight, trembling touch of Don Balthasar’s hand resting on my inclined head, it was as if I had suddenly become aware for a moment of the earth’s motion. The hand was gone; his face was averted, and a corpulent priest, all straight and black below his rosy round face, had stepped forward to say a Latin grace in solemn tones that wheezed a little. As soon as he had done he withdrew with a circular bow to the ladies, to Don Balthasar, who inclined his silvery head. His lifeless voice propounded: