Romance of Roman Villas (The Renaissance)Champney, Elizabeth W. (Elizabeth Williams)
History
Romance of Roman Villas (The Renaissance)
Champney, Elizabeth W. (Elizabeth Williams)
Art -- Italy; Legends -- Italy; Renaissance -- Italy
Pope Leo X. was to discover this as his predecessor Julius had done, and
with more reason, for Leo was the greater borrower, all of his family
and the adherents of the Medici descending upon him on his accession to
the papacy like a flock of buzzards. Julius had left the papal coffers
well filled, but Leo had not only emptied them, but he had anticipated
his own revenues and those of his successor. Truly was it said after
his death, that upon his family and the building of Saint Peter's he had
spent the income of three pontificates. Chigi was not distressed that
there was no likelihood that the Pope would ever repay what he owed, for
he had not only received ample security through Dovizio at Cetinale, but
there were richer spoils in view which made that transaction seem of
trifling account. Agostino desired to become the sole manager of the
papal finances; and he did indeed inaugurate that system of loans by
which the Pope's entire revenue was not sufficient to meet the interest
on his debts.
As a means of impressing Leo not only with his friendship but with his
boundless wealth, he determined to entertain his Holiness with
hospitality so lavish that it would put to shame the very feasts of
Lucullus. Leo was in a certain way to blame for this foolish display,
for Cardinal Riario was building his palace at this time, and his
Holiness piqued Chigi by insinuating that the residence of Riario would
rival the one which he was erecting. To this slur Chigi retorted hotly
that Riario's palace would not be able to compare with his own stables.
It was no empty boast, but in order to realise it our patron
immediately put a stop to the work upon the main villa and, as you, my
Giulio, will well remember, set us all to the task of transforming the
larger building upon the river bank (originally planned to house his
stud of horses) into an immense banqueting-hall. The stalls of inlaid
woods were concealed by the Medici tapestries; and by means of stucco,
paint, lavish gilding, and innumerable sparkling lights, depending in
crystal lustres and silver lamps, we achieved an effect of magnificence
unsurpassed by the imaginary creations of oriental enchanters.
Public-domain text, read in full here on John Shaqi.
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