That sentiment which comes of a certain noble graciousness in peoples
is shown in other ways in Italy. It is a moving thing to see the sons
bear the coffin of father or mother, to see men of all classes
follow the dead _on foot_; and then there is the Latin gracious
treatment of birthdays and anniversaries, the Latin power of making a
fete, of "feteing you," surrounding you with the feeling that you are
of importance for the moment, that content is really reigning round
you; the many ways in which the sentiments of piety to the hearth and
piety to the dead are expressed; the power of handling life lightly
and of expressing feeling appropriately.
The Italian though he is not so "intense," in the slang sense, as we,
and gives way to less emotional sentiment, is far more impressionable.
On the other hand he is not ashamed to betray emotion, or to speak of
his _agitazione_; and it will astonish the Englishman to be told that
although the Italian is so quick of feeling that one may think he is
at the death grip with a man in the street to whom he is only
narrating his unexpected meeting with a relative from the country, he
studiously avoids those sentimental "scenes" which are so dear to the
Anglo-Saxon. The hot-blooded Italian speaks of the "_furor
francese_"--that unmatched capacity for summing the intellectual
points of a case and exhausting its emotional possibilities in one
lightning moment,--and it is a fact that they judge the French people
to be far more mobile and inconstant than themselves.
Public-domain text, read in full here on John Shaqi.
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