Midway between these two, neither north nor south, stands and always
has stood the Roman: by sympathy, proclivity, and geographical
position a little more south than north; but by history achievement
and tradition independent of either. Florence represents the fine
flower of the Italian spirit, the South its poetry, Venice and the
North its civil greatness. What is notable everywhere is an
incomparable productiveness in all activities of the human intellect,
all fineness of the human spirit. But Rome has not produced. After
that one act of creation, the Roman polity, Rome has been sterile; its
function has been not to create but to criticise. Like the great
Church which has developed within its borders, Rome has been the
lawgiver, the critic of other men's gifts, but has laid no
claim--when once we cede her initial gift of an infallible
_magisterium_--to _charismata_. And so the Roman possesses in its
highest terms the gift of _criterion_. Some witty person--a Frenchman
of course--said that England was an island and every Englishman was an
island; and so we may say that Rome was arbiter of the world and every
Roman possesses that keen vivid abounding gift of _arbitrament_.
[Illustration: CHAPEL OF THE PASSION IN THE CHURCH OF SAN CLEMENTE
The church, which is in the street leading from the Lateran to the
Colosseum, belongs to the Irish Dominicans.]
Rome therefore is not Italy for taste, art, delicacies of sentiment,
for the great creations of the intellect the spirit and the
imagination--Rome is the ancient mistress of the world; and the role
the function and the influence of Rome must all be viewed in relation
to her gift of infallible criterion, of world dominance.
The Roman of to-day not only lives in the city of the Roman who gave
laws to the known world, he thinks his thoughts and to a great extent
lives his life. He is the result of the grandiose memories of the past
playing upon such a temperament as his. He lives surrounded by vague
memories, understanding that it was something exceedingly great which
fell, leaving him in the midst of these ruins. And the Roman has a
supreme indifference--he looks upon every event with the same
tolerance, the same sentiment of Emerson's "fine Oxford gentleman"
that "there is nothing new and nothing true, and no matter." One
procession passes him by to honour Giordano Bruno, victim of
theological bigotry; another passes to the Vatican to render homage to
the power which crushed Bruno: the Roman looks out upon both with the
same eyes, the same indifferent dignity. "The Roman apathy," say some;
but others call it a superiority, Roman largeness of outlook, the
Roman freedom from what is petty and intolerant.
Public-domain text, read in full here on John Shaqi.
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