Rose in Bloom: A Sequel to "Eight Cousins"Alcott, Louisa May
General
Rose in Bloom: A Sequel to "Eight Cousins"
Alcott, Louisa May
Cousins -- Fiction; Family life -- Fiction; Orphans -- Fiction
No one observed that, though he talked to Rose on these occasions, he
looked at Phebe, in her low chair close by, busy but silent, for she
always tried to efface herself when Rose was near and often mourned that
she was too big to keep out of sight. No matter what he talked about,
Archie always saw the glossy black braids on the other side of the
table, the damask cheek curving down into the firm white throat, and the
dark lashes, lifted now and then, showing eyes so deep and soft he dared
not look into them long. Even the swift needle charmed him, the little
brooch which rose and fell with her quiet breath, the plain work she
did, and the tidy way she gathered her bits of thread into a tiny bag.
He seldom spoke to her; never touched her basket, though he ravaged
Rose's if he wanted string or scissors; very rarely ventured to bring
her some curious or pretty thing when ships came in from China only
sat and thought of her, imagined that this was his parlor, this her
worktable, and they two sitting there alone a happy man and wife.
At this stage of the little evening drama he would be conscious of such
a strong desire to do something rash that he took refuge in a new form
of intoxication and proposed music, sometimes so abruptly that Rose
would pause in the middle of a sentence and look at him, surprised to
meet a curiously excited look in the usually cool gray eyes.
Then Phebe, folding up her work, would go to the piano, as if glad to
find a vent for the inner life which she seemed to have no power of
expressing except in song. Rose would follow to accompany her, and
Archie, moving to a certain shady corner whence he could see Phebe's
face as she sang, would give himself up to unmitigated rapture for
half an hour. Phebe never sang so well as at such times, for the kindly
atmosphere was like sunshine to a bird, criticisms were few and gentle,
praises hearty and abundant, and she poured out her soul as freely as a
spring gushes up when its hidden source is full.
In moments such as these Phebe was beautiful with the beauty that makes
a man's eye brighten with honest admiration and fills his heart with a
sense of womanly nobility and sweetness. Little wonder, then, that the
chief spectator of this agreeable tableau grew nightly more enamored,
and while the elders were deep in whist, the young people were playing
that still more absorbing game in which hearts are always trumps.
Public-domain text, read in full here on John Shaqi.
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