Rose in Bloom: A Sequel to "Eight Cousins"Alcott, Louisa May
General
Rose in Bloom: A Sequel to "Eight Cousins"
Alcott, Louisa May
Cousins -- Fiction; Family life -- Fiction; Orphans -- Fiction
Chat of this sort went on briskly while fans waved, programs rustled,
and ushers flew about distractedly, till an important gentleman
appeared, made his bow, skipped upon the leader's stand, and with a wave
of his baton caused a general uprising of white pinafores as the orphans
led off with that much-enduring melody “America” in shrill small voices,
but with creditable attention to time and tune. Pity and patriotism
produced a generous round of applause, and the little girls sat down,
beaming with innocent satisfaction.
An instrumental piece followed, and then a youthful gentleman, with his
hair in picturesque confusion, and what his friends called a “musical
brow,” bounded up the steps and, clutching a roll of music with a pair
of tightly gloved hands, proceed to inform the audience, in a husky
tenor voice, that “It was a lovely violet.”
What else the song contained in the way of sense or sentiment it was
impossible to discover as the three pages of music appeared to consist
of variations upon that one line, ending with a prolonged quaver which
flushed the musical brow and left the youth quite breathless when he
made his bow.
“Now she's coming! Oh, Uncle, my heart beats as if it were myself!”
whispered Rose, clutching Dr. Alec's arm with a little gasp as the piano
was rolled forward, the leader's stand pushed back, and all eyes turned
toward the anteroom door.
She forgot to glance at Archie, and it was as well perhaps, for his
heart was thumping almost audibly as he waited for his Phebe. Not from
the anteroom, but out among the children, where she had sat unseen in
the shadow of the organ, came stately Phebe in her wine-colored dress,
with no ornament but her fine hair and a white flower at her throat.
Very pale, but quite composed, apparently, for she stepped slowly
through the narrow lane of upturned faces, holding back her skirts lest
they should rudely brush against some little head. Straight to the front
she went, bowed hastily, and, with a gesture to the accompanist, stood
waiting to begin, her eyes fixed on the great gilt clock at the opposite
end of the hall.
They never wandered from that point while she sang, but as she ended
they dropped for an instant on an eager, girlish countenance bending
from a front seat; then, with her hasty little bow, she went quickly
back among the children, who clapped and nodded as she passed, well
pleased with the ballad she had sung.
Everyone courteously followed their example, but there was no
enthusiasm, and it was evident that Phebe had not produced a
particularly favorable impression.
“Never sang so badly in her life,” muttered Charlie irefully.
“She was frightened, poor thing. Give her time, give her time,” said
Uncle Mac kindly.
“I know she was, and I glared like a gorgon, but she never looked at
me,” added Steve, smoothing his gloves and his brows at the same time.
Public-domain text, read in full here on John Shaqi.
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