England -- Social life and customs -- 19th century -- Fiction
Poor water-colour drawings, indigo and Indian ink; screens, ornamented
with moss and dried leaves; paintings on velvet, and such faintly
ornamental works were displayed on one side of the shop. It was always
reckoned a mark of characteristic gentility in the repository, to have
only common heavy-framed sash-windows, which admitted very little light,
so I never was quite certain of the merit of these Works of Art as they
were entitled. But, on the other side, where the Useful Work placard was
put up, there was a great variety of articles, of whose unusual
excellence every one might judge. Such fine sewing, and stitching, and
button-holing! Such bundles of soft delicate knitted stockings and
socks; and, above all, in Lady Ludlow’s eyes, such hanks of the finest
spun flaxen thread!
And the most delicate dainty work of all was done by Miss Galindo, as
Lady Ludlow very well knew. Yet, for all their fine sewing, it sometimes
happened that Miss Galindo’s patterns were of an old-fashioned kind; and
the dozen nightcaps, maybe, on the materials for which she had expended
bona-fide money, and on the making-up, no little time and eyesight,
would lie for months in a yellow neglected heap; and at such times, it
was said, Miss Galindo was more amusing than usual, more full of dry
drollery and humour; just as at the times when an order came in to X.
(the initial she had chosen) for a stock of well-paying things, she sat
and stormed at her servant as she stitched away. She herself explained
her practice in this way:—
“When everything goes wrong, one would give up breathing if one could not
lighten ones heart by a joke. But when I’ve to sit still from morning
till night, I must have something to stir my blood, or I should go off
into an apoplexy; so I set to, and quarrel with Sally.”
Such were Miss Galindo’s means and manner of living in her own house. Out
of doors, and in the village, she was not popular, although she would
have been sorely missed had she left the place. But she asked too many
home questions (not to say impertinent) respecting the domestic economies
(for even the very poor liked to spend their bit of money their own way),
and would open cupboards to find out hidden extravagances, and question
closely respecting the weekly amount of butter, till one day she met with
what would have been a rebuff to any other person, but which she rather
enjoyed than otherwise.
She was going into a cottage, and in the doorway met the good woman
chasing out a duck, and apparently unconscious of her visitor.
“Get out, Miss Galindo!” she cried, addressing the duck. “Get out! O, I
ask your pardon,” she continued, as if seeing the lady for the first
time. “It’s only that weary duck will come in. Get out Miss Gal——” (to
the duck).
“And so you call it after me, do you?” inquired her visitor.
“O, yes, ma’am; my master would have it so, for he said, sure enough the
unlucky bird was always poking herself where she was not wanted.”
Public-domain text, read in full here on John Shaqi.
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