England -- Social life and customs -- 19th century -- Fiction
“At night he came home,--having seen Mademoiselle. He told Clément much
of the story relating to Madame Babette that I have told to you. Of
course, he had heard nothing of the ambitious hopes of Morin
Fils,--hardly of his existence, I should think. Madame Babette had
received him kindly; although, for some time, she had kept him standing
in the carriage gateway outside her door. But, on his complaining of the
draught and his rheumatism, she had asked him in: first looking round
with some anxiety, to see who was in the room behind her. No one was
there when he entered and sat down. But, in a minute or two, a tall,
thin young lady, with great, sad eyes, and pale cheeks, came from the
inner room, and, seeing him, retired. ‘It is Mademoiselle Cannes,’ said
Madame Babette, rather unnecessarily; for, if he had not been on the
watch for some sign of Mademoiselle de Créquy, he would hardly have
noticed the entrance and withdrawal.
“Clément and the good old gardener were always rather perplexed by
Madame Babette’s evident avoidance of all mention of the De Créquy
family. If she were so much interested in one member as to be willing to
undergo the pains and penalties of a domiciliary visit, it was strange
that she never inquired after the existence of her charge’s friends and
relations from one who might very probably have heard something of them.
They settled that Madame Babette must believe that the Marquise and
Clément were dead; and admired her for her reticence in never speaking
of Virginie. The truth was, I suspect, that she was so desirous of her
nephew’s success by this time, that she did not like letting any one
into the secret of Virginie’s whereabouts who might interfere with their
plan. However, it was arranged between Clément and his humble friend,
that the former, dressed in the peasant’s clothes in which he had
entered Paris, but smartened up in one or two particulars, as if,
although a countryman, he had money to spare, should go and engage a
sleeping-room in the old Bréton Inn; where, as I told you, accommodation
for the night was to be had. This was accordingly done, without exciting
Madame Babette’s suspicions, for she was unacquainted with the Normandy
accent, and consequently did not perceive the exaggeration of it which
Monsieur de Créquy adopted in order to disguise his pure Parisian. But
after he had for two nights slept in a queer, dark closet, at the end of
one of the numerous short galleries in the Hôtel Duguesclin, and paid
his money for such accommodation each morning at the little bureau under
the window of the concièrgerie, he found himself no nearer to his
object. He stood outside in the gateway: Madame Babette opened a pane in
her window, counted out the change, gave polite thanks, and shut to the
pane with a clack, before he could ever find out what to say that might
be the means of opening a conversation. Once in the streets, he was in
danger from the bloodthirsty mob, who were ready in those days to hunt
Public-domain text, read in full here on John Shaqi.
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