James Stewart's name, had he been no king, would have been associated with this place, as that of his master in poetry is with the flowery ways of Kent. Nor was his inspiration derived alone from the well of English undefiled. A still more wonderful gift developed in him when he got home to his native country. Though the tones of Scotch humour were much less refined, and its utterances at that early period could be scarcely more than the jests and unwritten ballads of the populace, yet his early acquaintance with them must have lingered in the young Prince's mind, acquiring additional zest from the prepossessions of exile and the longing for home. And when the polished singer of the King's "Quhair" found himself again in his native land he seems to have burst forth with the most genuine impulse into the broad fun, rustical and natural and racy of the soil, which perhaps was more congenial to his Scottish audience. "Peblis to the Play" and "Christis Kirk on the Green" are poems full of the very breath of rural life and the rude yet joyous meetings of the country folk at kirk and market, which with wonderfully little difference of sentiment and movement also inspired Burns. He must have had a mind full of variety and wide human sympathy almost Shakspearian, who could step from the musings of Windsor and the beautiful heroine, all romance and ethereal splendour, to the lasses in their gay kirtles, and Hob and Raaf with their rustic "daffing," as true to the life as the Ayrshire clowns of Burns, and all the clumsy yet genial gambols of the village festival. It is one of the most curious and least to be expected transformations of poetic versatility--for it is even amazing how he could know the life into which he thus plunged joyous, as if he had been familiar with it from his childhood. King James was not without an object amid all the laughter and the pranks of his holiday. The King's cheerful ridicule of the clumsy fellows who could not draw the bow was intended, with a prick of scorn under the laughter, to rouse up his rustic lieges to emulation, not to be behind the southern pock-puddings whose deadly arrows were, in every encounter between Scots and English, the chief danger to the fighting men of the north. It is curious that this difference should have existed and continued with such obstinacy through all these fighting centuries; the Scotch spearmen were all but invulnerable in their steady square, like a rock, but they had little defence against the cloth-yard shafts of the English bowmen, which neither exhortation nor ridicule, neither prizes to win nor disaster to fear, could teach them to adopt. James laboured hard, in ways more practical than his poems, to introduce this new arm, but in vain. It was kept up languidly in holiday contentions, like that of Christis Kirk on the Green, while his life lasted; but when his reign was over and the momentary stimulus withdrawn the bows were all thrown away.