Ruins of Ancient Cities (Vol. 2 of 2): With General and Particular Accounts of Their Rise, Fall, and Present ConditionBucke, Charles
History
Ruins of Ancient Cities (Vol. 2 of 2): With General and Particular Accounts of Their Rise, Fall, and Present Condition
Bucke, Charles
Cities and towns, Ancient
In the west side of the piazza are several apertures for gates, into the
court of the palace. Each of these is adorned with four porphyry
pillars; not standing in a line with those of the wall, but placed by
couples in the front of the gate facing the palace, on each side. Two of
these only remain, and but one standing in its place. These are thirty
feet long, and nine in circumference.
“We sometimes find a palace,” says Volney, “of which nothing remains but
the courts and walls; sometimes a temple, whose peristyle is half thrown
down; and now a portico, a gallery, or a triumphant arch. Here stand
groups of columns, whose symmetry is destroyed by the fall of many of
them; these we see ranged in rows of such length, that, similar to rows
of trees, they deceive the sight, and assume the appearance of continued
walls. On which side soever we look, the earth is strewed with vast
stones, half buried, with broken entablatures, damaged capitals,
mutilated friezes, disfigured reliefs, effaced sculptures, violated
tombs, and altars defiled with mud.”
“In their ruined courts,” says another traveller, “and amid the
crumbling walls of their cottages, may be seen, here and there, portions
of the ancient pavement of the area; while all around the inclosure
extend groups of columns, with pedestals for statues, and walls
ornamented with handsome architectural decorations, the ruins of the
majestic portico and double colonnade, which once inclosed the whole of
the vast area. Portions of a frieze, or the fragments of a cornice, upon
whose decoration was expended the labour of years, are now used by the
poor villagers to bake their bread upon, or are hollowed out as
hand-mills, in which to grind their corn.”
Among the walls and rubbish are a vast number of lizards and serpents;
and that circumstance led to the celebrated poetic picture painted by
Darwin.
Lo! where PALMYRA, ’mid her wasted plains,
Her shattered aqueducts, and prostrate fanes,
As the bright orb of breezy midnight pours
Long threads of silver through her gaping towers,
O’er mouldering tombs, and tottering columns gleams,
And frosts her deserts with diffusive beams,
Sad o’er the mighty wreck in silence bends,
Lifts her wet eyes, her tremulous hands extends.
If from lone cliffs a bursting rill expands
Its transient course, and sinks into the sands;
O’er the moist rock the fell hyena prowls,
The serpent hisses, and the panther growls;
On quivering wings the famished vulture screams,
Dips his dry beak, and sweeps the gushing streams.
With foaming jaws beneath, and sanguine tongue,
Laps the lean wolf, and pants, and runs along;
Stern stalks the lion, on the rustling brinks
Hears the dread snake, and trembles as he drinks.
Quick darts the scaly monster o’er the plain,
Fold after fold his undulating train;
And, bending o’er the lake his crested brow,
Starts at the crocodile that gapes below.—DARWIN.
Public-domain text, read in full here on John Shaqi.
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