Sagunto (Spain) -- History -- Siege, 219-218 B.C. -- Fiction
"That is why we are great," said Actæon with gravity. "On this account
our arts fill the earth, and all bow before the moral grandeur of
Greece. We are the people that has known how to honor life making a cult
of its origin; we satisfy the impulses of love without hypocrisy, and
because of this we understand better than others the needs of the
spirit. Intelligence wings more truly when it does not feel the weight
of the body tormented by pudicity. We love and study; our gods go naked,
with no other adornment than the ray of immortal light upon the
forehead. They do not demand blood, like those barbarian divinities
enwrapped in clothing which only leaves uncovered their frowning
assassin faces; they are as beautiful as human beings, they laugh like
them, and their peals of merriment wafted around Olympus gladden the
earth."
"Love is the most virtuous sentiment; from it emanates all greatness.
Only the barbarians calumniate it, hiding it as a dishonest thing."
"I know a people," said Actæon, "among whom love, the divine fusion of
bodies, is looked upon as an impurity. Israel is an amalgamation of
miserable tribes, occupying an arid region surrounding a temple of
barbaric construction, copied from all peoples. They are hypocrites,
rapacious and cruel; on this account they abominate love. If such a
people were to attain universal influence like Greece, if it should
dominate the world, imposing its beliefs, the eternal light which shines
on the Parthenon would go out; humanity would grope in darkness, with
the heart dry and the thought dead; the world would be a necropolis, all
would be moving corpses, and centuries and more centuries would pass
before man would again find the road, coming back to our smiling gods,
to the cult of beauty that gladdens life."
Sónnica, listening to the Greek, approached the tall rose bushes and
began to pluck the flowers, smelling them with delight. She imagined
herself in Athens, in the garden on the Street of Tripods, listening to
her poet who had initiated her into the sweet mysteries of art and love.
And she gazed sweetly at Actæon, with frank and sincere passion, with
the submission of a slave, saying "I love you" with her eyes, as if only
awaiting a word to fall into his arms.
The breeze lightly stirred the whole garden. Bits of purple sky inflamed
by the setting sun could be seen through the foliage. A mysterious
penumbra began to form beneath the trees. The sounds from the fields,
the stirring of the people outside the villa in the houses of the
slaves, and even the cries of the exotic birds on the terrace seemed to
come from a distant world.
Between two clumps of rose bushes stood an image of Priapos carved from
the trunk of a tree. The rustic god was smiling with a lewd expression,
arching his hairy breast and thrusting his abdomen forward.
Sónnica smiled on seeing the Athenian looking at him.
Public-domain text, read in full here on John Shaqi.
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