Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.Jameson, Mrs. (Anna)
Religion
Sacred and legendary art, volume 1 (of 2): Containing legends of the angels and archangels, the evangelists, the Apostles, the doctors of the church, and St. Mary magdalene, as represented in the fine arts.
Jameson, Mrs. (Anna)
Christian art and symbolism; Christian saints in art
The worship of angels, which the Jews brought from Chaldea, was early
introduced into the Christian Church. In the fourth century the council
of Laodicea published a decree against places of worship dedicated to
angels under names which the Church did not recognise. But neither
warning nor council seems to have had power to modify the popular
creed, countenanced as it was by high authority. All the Fathers are
unanimous as to the existence of angels good and evil. They hold that
it is evermore the allotted task of good angels to defend us against
evil angels, and to carry on a daily and hourly combat against our
spiritual foes: they teach that the good angels are worthy of all
reverence as the ministers of God and as the protectors of the human
race; that their intercession is to be invoked, and their perpetual,
invisible presence to be regarded as an incitement to good and a
preventive to evil.
This, however, was not enough. Taking for their foundation a few
Scripture texts, and in particular the classification of St. Paul,
the imaginative theologians of the middle ages ran into all kinds
of extravagant subtleties regarding the being, the nature, and the
functions of the different orders of angels. Except as far as they have
been taken as authorities in Art, I shall set aside these fanciful
disquisitions, of which a mere abstract would fill volumes. For our
present purpose it is sufficient to bear in mind that the great
theologians divide the angelic host into three hierarchies, and these
again into nine choirs, three in each hierarchy: according to Dionysius
the Areopagite, in the following order: 1. Seraphim, Cherubim, Thrones.
2. Dominations, Virtues, Powers. 3. Princedoms, Archangels, Angels.
The order of these denominations is not the same in all authorities:
according to the Greek formula, St. Bernard, and the Legenda Aurea,
the Cherubim precede the Seraphim, and in the hymn of St. Ambrose they
have also the precedence—_To Thee, Cherubim and Seraphim continually do
cry_, &c.; but the authority of St. Dionysius seems to be admitted as
paramount, for according to the legend he was the convert and intimate
friend of St. Paul, and St. Paul, who had been transported to the
seventh heaven, had made him acquainted with all he had there beheld.
Desire
In Dionysius so intensely wrought
That he, as I have done, ranged them, and named
Their orders, marshall’d in his thought;
... For he had learn’d
Both this and much beside of these our orbs
From an eye-witness to Heaven’s mysteries. DANTE, _Par._ 28.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account