Sally Bishop : $b A romanceThurston, E. Temple (Ernest Temple)
General
Sally Bishop : $b A romance
Thurston, E. Temple (Ernest Temple)
Man-woman relationships -- Fiction
"I? Not a bit!" She laughed and turned with her back to the door,
looking down the staircase which they had just ascended. Her heart
was still beating, throbbing with unwonted excitement and
anticipation. She knew she could trust, but there was a spring--a
vibration in the thought that they played with fire. Yet what a
harmless fire! No stake in the marketplace at which the soul, the
honour, the life of the victim is burnt! No! Nothing like that. Only
that fire which, when once it is lit, soothes, warms, nurses the
hearts of men and women into love, and when once it is glowing white
in heat, moulds them, forges them into the God-sent cohesion of unity.
What need had she to fear in playing with so tenderly fierce a fire
as that? None, and there was no trace of fear in the heart of her;
but her pulses hammered; she felt them even in her throat.
"Now--you can come in now!" Traill called, and he came to the door,
opening it wide for her to pass through.
Sally entered--two or three steps; then she stood there looking round
her. The old oak chests, carved some of them, worm-eaten here and
there; the clean, pale, straw-coloured matting, no rugs of any
description: the dark green walls and the rough, heavy brass candle
sconces that glittered against them, reflecting the candle flames
in every polished surface: it was almost barbaric, more like a
reception room of a presbytery than a living room; but a presbytery
decorated to convey the best of a strong and self-reliant mind,
rather than to pander with a taste ornate to the futile conception
of a God.
Except for two rush-seated armchairs, there was no suggestion of
providing any recognized forms of comfort. The chair at the open
bureau, with its case of books above it, had a wooden seat; all the
rest of the smaller wooden chairs were wooden-seated as well. There
was no visible and obvious sign of any desire for luxury; yet
luxurious it all seemed to Sally, every corner of it, as she gazed
around her. It was a luxury conveyed by the intrinsic value of every
article of furniture he possessed; a luxury far more lasting, far
more complete, than any to be found in down cushions and gently shaded
lights.
Austerity was the note through it all, austerity even in the pictures
upon the walls. They were prints, old prints, coloured or plain,
representing boxers of the old school, stripped to the waist, the
ugly muscles flexed and bulging as they raised their lithe arms in
the attitude of defence. There were no other pictures but these;
nothing to show that he had a heart above boxing. There was one thing.
In their journey around the walls, Sally's eyes fell on a little
coloured miniature in a plain gold frame that hung by the side of
the bureau. At that distance, she could distinguish that it was a
girl, a girl with fair hair that clustered on her shoulders. The
beating of her heart dropped to a whisper when she saw it, all the
pulses stopped, and she felt a cool, damp air blowing across her face.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account