Samplers and Tapestry Embroideries: Second EditionHuish, Marcus B. (Marcus Bourne)
History
Samplers and Tapestry Embroideries: Second Edition
Huish, Marcus B. (Marcus Bourne)
Embroidery -- England; Samplers -- England; Tapestry -- England
A curious feature of these little pictures is the fondness of their makers
for introducing grubs of all kinds. This was not altogether fortuitous, or
done simply to fill a void, for some of them were certainly as much
emblems as the lion and unicorn. The caterpillar, for instance, was a
badge of Charles I.
It speaks somewhat for the difficulty of imitating these little pictures,
that although their price has increased since this book was first
published, from a moderate to a high figure, there are as yet few spurious
or much restored pieces on the market, and the same remark may apply to
samplers.
[Illustration: FIG. 60.--EMBROIDERY PICTURE. CHARLES I. AND HIS QUEEN.
DATED 1663. _Lord Montagu._
This picture is signed "K.B.," and bears the date 1663, and is, through
its composition and subject, of much interest. The king and queen stand
under an elaborate tent, on the canopy of which is emblazoned the Royal
Arms, the rose and the thistle, in heavy gold and silver bullion. The
robes of both their majesties are ornamented with coloured flowers in a
heavy silver tissue. The king is crowned and has an ermine cloak, and his
spurred white boots have pink heels.]
[Illustration: PLATE XIX.--LID OF A CASKET. ABOUT 1660.
We have here the top of the lid of the best preserved casket it has been
our fortune to encounter, the reproduction in no way exaggerating the
brilliancy or freshness of its colouring. The whole of the embroidery is
in high relief, and as the shadows show, much of it is detached from the
ground, as for instance the strawberries, the apples on the tree on which
the parroquet with his ruffled feathers is seated, and the pink and tulip.
For some reason not apparent, the gentleman has two left arms and hands,
in each of which he holds a hat. It is possible that the figures may be
intended for Abraham and Sarah, the latter with her flock at the well.]
[Illustration: FIG. 61.--HOLLIE POINT LACE FROM TOP OF CHRISTENING CAP.
1774. _Formerly in the Author's Collection._]
PART III
I.--Stitchery of Pictures in Imitation of Tapestry and the Like
"Tent-worke, Rais'd-worke, Laid-worke, Froste-worke, Net-worke,
Most curious Purles or rare Italian Cut-worke,
Pine Ferne-stitch, Finny-stitch, New-stitch, and Chain-stitch,
Brave Bred-stitch, Fisher-stitch, Irish-stitch, and Queen-stitch,
The Spanish-stitch, Rosemary-stitch, and Morose-stitch,
The Smarting Whip-stitch, Back-stitch, and the Cross-stitch.
All these are good, and these we must allow,
And these are everywhere in practise now."
_The Needles Excellency._--JOHN TAYLOR.
Public-domain text, read in full here on John Shaqi.
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