Ah well—there was once a science called Physiognomy. The Greeks, from what I can learn, knew more of it than any people since: though the Italian painters and sculptors must have known much; far more than we. In a more scientific civilisation there will be such a science once more: but its laws, though still in the empiric stage, are not altogether forgotten by some. Little children have often a fine and clear instinct of them. Many cultivated and experienced women have a fine and clear instinct of them likewise. And some such would tell us that there is intellect in plenty in the modern Nausicaa: but not of the quality which they desire for their country’s future good. Self-consciousness, eagerness, volubility, petulance in countenance, in gesture, and in voice—which last is too often most harsh and artificial, the breath being sent forth through the closed teeth, and almost entirely at the corners of the mouth—and, with all this, a weariness often about the wrinkling forehead and the drooping lids;—all these, which are growing too common, not among the Demos only, nor only in the towns, are signs, they think, of the unrest of unhealth, physical, intellectual, spiritual. At least they are as different as two types of physiognomy in the same race can be, from the expression both of face and gesture, in those old Greek sculptures, and in the old Italian painters; and, it must be said, in the portraits of Reynolds, and Gainsborough, Copley, and Romney. Not such, one thinks, must have been the mothers of Britain during the latter half of the last century and the beginning of the present; when their sons, at times, were holding half the world at bay.