Family -- Fiction; Italy -- Social life and customs -- Fiction; Religion -- Fiction
The Frangipani did things magnificently, and no one was disappointed. The
gardens and courts of the palace were brilliantly illuminated; vast
suites of apartments were thrown open, and lavishly decorated with rare
flowers; the grand staircase was lined with footmen in the liveries of
the house, standing motionless as the guests passed up; the supper was a
banquet such as is read of in the chronicles of medieval splendour; the
enormous conservatory in the distant south wing was softly lit by shaded
candles concealed among the tropical plants; and the ceilings and walls
of the great hall itself had been newly decorated by famous painters;
while the polished wooden floor presented an innovation upon the
old-fashioned canvas-covered brick pavement, not hitherto seen in any
Roman palace. A thousand candles, disposed in every variety of chandelier
and candelabra, shed a soft rich light from far above, and high in the
gallery at one end an orchestra of Viennese musicians played unceasingly.
As generally happens at very large balls, the dancing began late, but
numbers of persons had come early in order to survey the wonders of the
palace at their leisure. Among those who arrived soon after ten o'clock
was Giovanni Saracinesca, who was greeted loudly by all who knew him. He
looked pale and tired, if his tough nature could ever be said to seem
weary; but he was in an unusually affable mood, and exchanged words with
every one he met. Indeed he had been sad for so many days that he hardly
understood why he felt gay, unless it was in the anticipation of once
more seeing the woman he loved. He wandered through the rooms carelessly
enough, but he was in reality devoured by impatience, and his quick eyes
sought Corona's tall figure in every direction. But she was not yet
there, and Giovanni at last came and took his station in one of the outer
halls, waiting patiently for her arrival.
While he waited, leaning against one of the marble pillars of the door,
the throng increased rapidly; but he hardly noticed the swelling crowd,
until suddenly there was a lull in the unceasing talk, and the men and
women parted to allow a cardinal to pass out from the inner rooms. With
many gracious nods and winning looks, the great man moved on, his keen
eyes embracing every one and everything within the range of his vision,
his courteous smile seeming intended for each separate individual, and
yet overlooking none, nor resting long on any, his high brow serene and
unbent, his flowing robes falling back from his courtly figure, as with
his red hat in his hand he bowed his way through the bowing crowd. His
departure, which was quickly followed by that of several other cardinals
and prelates, was the signal that the dancing would soon begin; and when
he had passed out, the throng of men and women pressed more quickly in
through the door on their way to the ball-room.
Public-domain text, read in full here on John Shaqi.
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