Savva and the Life of Man: Two plays by Leonid AndreyevAndreyev, Leonid
General
Savva and the Life of Man: Two plays by Leonid Andreyev
Andreyev, Leonid
Russian drama -- Translations into English
Oh, don't talk about him. He'll have to answer to God. Are they going
to sing "Christ is arisen" instead of the usual hymn when they carry
the ikon in the procession to-day? Vassya, do you hear? I am asking
you a question.
FRIAR
Yes, they say that they are. Go home, Miss Olympiada, won't you?
LIPA
You can go, if you like.
FRIAR
But how can I leave you alone? They'll come tearing down here soon.
For heaven's sake, there is Mr. Savva!
_[Savva comes in hatless. His face is dark and stormy. There are lines
under his eyes. He looks sideways with a steady stare. Frequently he
glances around and seems to be listening to something. His gait is
heavy, but quick. Noticing Lipa and the Friar, he turns and walks
toward them. At his approach Lipa rises and turns away._
SAVVA
Have you seen Kondraty?
FRIAR
No, he is in the monastery.
_[Savva remains standing in silence. The noise in the monastery has
subsided and the sad, pitiful singing of the blind is heard._
FRIAR
Mr. Savva.
SAVVA
Have you got a cigarette?
FRIAR
No, I don't smoke. _(Plaintively)_ Come to the woods, Mr. Savva.
_(Savva remains immovable and silent)_ They'll kill you, Mr. Tropinin.
Come to the woods--please come! _(Savva looks fixedly at him, then
silently turns and walks away)_ Mr. Tropinin, on my word you had
better come with me to the woods.
LIPA
Leave him alone. He is like Cain. He can't find a place on the earth.
Everybody is rejoicing, and he--
FRIAR
His face is black. I am sorry for him.
LIPA
He is black all through. You had better keep away from him, Vassya.
You don't know whom you are pitying. You are too young. I am his
sister. I love him, but if he is killed, it will be a benefit to the
whole world. You don't know what he wanted to do. The very thought of
it is terrible. He is a madman, Vassya, a fearful lunatic. Or else he
is--I don't know what.
FRIAR _(waving his hand)_
You needn't tell me all that. I know. Of course I know. Don't I see?
But I am sorry for him all the same, and I am disgusted too. Why did
he do it? Why? What stupid things people will do! Oh, my!
LIPA
I have only one hope--that he has understood at last. But if--
FRIAR
Well, what's the "if"?
LIPA
Oh, nothing, but--When he came here, it was as if a cloud had passed
across the sun.
FRIAR
There you go also! You should be happy--Why don't you rejoice? Don't
be "iffing" and "butting."
_[A crowd begins to collect gradually. Two wagons with cripples stop
on the road. A paralytic has been sitting for some time under a tree,
crying and blowing his nose and wiping it with his sleeve. A Man in
Peasant Overcoat appears from the direction of the monastery._
MAN IN OVERCOAT _(officiously)_
We must get the cripples over to Him, to the ikon--we must get them
over there. What's the matter, women, are you asleep? Come on, move
along. You'll get your rest over there. What's the matter with you,
gran'pa? Why aren't you moving along? You ought to be there with your
legs. Go on, old man, go on.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account