Scaramouche: A Romance of the French RevolutionSabatini, Rafael
History
Scaramouche: A Romance of the French Revolution
Sabatini, Rafael
Adventure stories; France -- History -- Revolution, 1789-1799 -- Fiction; Love stories; War stories
“You have endured for centuries with a fortitude that is a pattern to
the world,” he flattered them. “Endure a little longer yet. The end, my
friends, is well in sight at last.”
They carried him out of the square and up the Rue Royale to an old
house, one of the few old houses surviving in that city that had risen
from its ashes, where in an upper chamber lighted by diamond-shaped
panes of yellow glass the Literary Chamber usually held its meetings.
Thither in his wake the members of that chamber came hurrying, summoned
by the messages that Le Chapelier had issued during their progress.
Behind closed doors a flushed and excited group of some fifty men, the
majority of whom were young, ardent, and afire with the illusion of
liberty, hailed Andre-Louis as the strayed sheep who had returned to the
fold, and smothered him in congratulations and thanks.
Then they settled down to deliberate upon immediate measures, whilst the
doors below were kept by a guard of honour that had improvised itself
from the masses. And very necessary was this. For no sooner had the
Chamber assembled than the house was assailed by the gendarmerie of M.
de Lesdiguieres, dispatched in haste to arrest the firebrand who was
inciting the people of Rennes to sedition. The force consisted of fifty
men. Five hundred would have been too few. The mob broke their carbines,
broke some of their heads, and would indeed have torn them into pieces
had they not beaten a timely and well-advised retreat before a form of
horseplay to which they were not at all accustomed.
And whilst that was taking place in the street below, in the room
abovestairs the eloquent Le Chapelier was addressing his colleagues
of the Literary Chamber. Here, with no bullets to fear, and no one
to report his words to the authorities, Le Chapelier could permit his
oratory a full, unintimidated flow. And that considerable oratory was as
direct and brutal as the man himself was delicate and elegant.
Public-domain text, read in full here on John Shaqi.
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