Scenes in North Wales: With Historical Illustrations, Legends, and Biographical NoticesWright, G. N. (George Newenham)
History
Scenes in North Wales: With Historical Illustrations, Legends, and Biographical Notices
Wright, G. N. (George Newenham)
Wales, North -- Description and travel
An interesting and national spectacle was exhibited on the bowling-green
under the castle walls of Denbigh, in the autumn of 1828; it is called in
Welsh an Eistedfodd, and means a meeting of the bards. This is an
institution of ancient origin, and was formerly held under a precept or
commission from the crown, directed to the principal inhabitants in the
district where the meeting was intended to be held. The latest royal
mandate for the holding of an Eistedfodd was issued by Queen Elizabeth,
and directed to the ancestors of some of the most respectable families
now resident in Flint and Denbigh shires. The bardic assemblage of 1828
was accompanied by circumstances of a very peculiar and gratifying
character, and the remembrance of it will long be cherished by all
Cambrians who witnessed it, with feelings of the deepest and warmest
enthusiasm. The verdant platform of the bowling-green commands one of
the richest and happiest prospects in nature; the eye sweeps down the
green hills on the south, and passing over the noble and broad valley of
the Clwyd, climbs rapidly the Clwydian hills, where it finds an index to
a brighter prospect in the national monument on Moel Ffammau. Here a
handsome obelisk on the highest of the hills commemorates the fiftieth
year of the eventful reign of King George the Third. This accidental
circumstance gave an additional interest to this bardic meeting, for, by
a singular coincidence, Sir E. Mostyn, a descendant of Sir Piers, one of
the persons named in the precept of Elizabeth, was president of the
Eistedfodd. A noble individual, the representative of the brave William
Salisbury, the defender of the castle, graced the assemblage by his
presence. A dignitary of the church, who embodied those gallant actions
in a valuable history, judged some of the bardic effusions, and a royal
prince looked gratefully over the heads of an innocent and happy people
towards the monument which their loyalty and affection had raised to his
venerable father.
[Picture: Valle Crucis Abbey; Ruthin Castle; Wynnstay. London.
Published by T. T. & J. Tegg, Cheapside, Oct. 1st 1832]
VALLE CRUCIS ABBEY.
THE Vale of Crucis opens into the beautiful scenery of Llangollen, about
two miles from the little village. Fancy cannot paint a scene more
suited to the indulgence of solemn thought. It is the spot which a
recluse, enamoured of the great scenes of nature, where the eye is
continually presented with sublime ideas, where every object contributes
to soothe, but not transport the mind, would select as an habitation of
cheerful solitude. In the days of its greatness it must have been a
place consecrated to retirement, but now how much is the solitude of the
scene heightened by the accompaniment of a ruined abbey shrouded in
forest trees that wave over its mouldering towers,—
Public-domain text, read in full here on John Shaqi.
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