The extent, elegance, and beauty of the demesne are more than proportionate to the arrangements of the mansion. A spacious park well stocked with red and fallow deer surrounds the house, it is adorned with noble forest trees, and varied by well disposed artificial pieces of water. The quarter of the demesne, called the “Bath Grounds,” is a most gratifying specimen of landscape gardening. These delightful pleasure grounds, laid out by Mr. Evans, consist of shrubberies, walks, and bowers, disposed with admirable taste. A noble sheet of water occupies the centre of the wood; it is formed by the expansion of a little brook, artfully conducted over a rocky precipice at the extremity, where it is thrown into a pleasing and picturesque cascade. The Bath, which lends a distinguishing name to this part of the demesne, is a limpid fountain confined by an enclosure of cut stone. A beautiful Grecian temple, adorned with a portico of four columns, supporting an entablature and pediment, stands close by it, and is beautifully reflected in its smooth waters at the approach of evening. Near the entrance to the Bath Grounds a fluted column of one hundred feet in height, surmounted by a funeral urn, presents an interesting memorial of maternal affection, and a beautiful specimen of columnar architecture: it was designed by Mr. Wyatt. The entablature is surrounded by a gallery approached by steps concealed within the shaft, and the plinth is adorned with wreaths of oak leaves descending from the beaks of eagles. On the cenotaph is graven this brief but feeling epitaph— Filio optimo, Mater, eheu! superstes.