He noticed how very frail she was, almost like a saint who had
fasted. Her white hair, loosely fastened, seemed as a halo while she
stood there in the dim hall with the sunlight behind rimming her head
with light. Her hand was so thin that John could feel all the bones
in it and her flesh was almost transparent.
Meanwhile Marsh had superintended their boxes.
"Come up to our room, Scissors!" he cried, and John followed him up
an old oak staircase, along a narrow corridor that ran the whole
length of the house, overlooking the courtyard on one side. Their
room was at the end, and the beauty of it made John's heart leap up.
It had two low casement windows, bordered with creeper drooping to
the lawns below. Their two beds faced the windows; the dressing
table, mantelpiece and writing desk were decorated with fresh bunches
of violets. The perfume pervaded the room and mingled with the
delightful smell of clean linen, which John had come to distinguish
as a 'country house smell.'
"What a jolly room!" cried John.
Marsh seemed pleased at his approbation. "Not a bit like a parson's
hole, is it?" he commented. "This room is modern--that's a copy of a
Cezanne; that's a real Pizarro--you won't find on these walls any
woolly legend 'God is Love,' or a dead aunt's knitting in five
colours--'Blessed are the meek.' I ejected all those long ago."
"But what does your governor say?"
"Nothing--he merely smiles. I am the cuckoo's egg in the family
nest."
John was a little shocked. He felt uneasy when Marsh talked in this
strain. It was not that Marsh wanted to shock, but John was in an
alien country, which his friend evidently knew well. Every day John
was discovering some thing new about himself until his mind was in a
condition of fear. Marsh was so splendidly cool about everything.
When John asked him questions, he showed no surprise, or superiority,
but explained and amplified from familiarity with his theme. Marsh
dismissed certain things as "rotten," others he characterised as
"smuggy." John always had a feeling that Marsh knew much more than
he said. His knowledge of books, for instance, was extraordinary.
John was discovering new books every day of his life, but he no
sooner announced a fresh treasure than Marsh knew all about it, had
read it long ago and could supplement the knowledge with personal
information concerning the author and other books he had written. He
was at home in French literature or English, which John accounted for
later when he found that Mrs. Marsh had spent her youth in a French
convent school. This discovery was made at tea-time in the study, a
delightfully cosy room full of books and loose papers, and magazines,
with big chairs in which you sank low and all the cushions gradually
deflated as though the breath had been crushed out of them. Marsh
talked to his mother in French, greatly to John's admiration.
Public-domain text, read in full here on John Shaqi.
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