As well as interpreting the story of Christ’s Passion, Montañés created
statues of the Virgin, whose dignity, beauty, and feeling won for him
the popular admiration of his contemporaries. The worship of the Mother
of God had always made deep appeal to the religious heart of Spain;
then, in the year 1617, a papal edict was issued, at the earnest
instigation of Philip IV., declaring the immaculate nature of Mary. No
dogma had ever been accepted so readily, or believed in so fervently, in
Spain. The worship of the people in Montañés’ life was, in point of
fact, practically centred in adoration of the Virgin Mary; the many
different religious orders, while venerating their respective founders
and saints, were all united in their devotion to the Virgin. Art, still
the servant of religion, was summoned to give expression to this
passionate worship. Every artist was engaged in depicting the Virgin
Mother. In the North, the artists, working under the inspiration of the
Flemish masters, had delighted in representing those Virgins of Anguish
where the Mother mourns at the foot of the Cross for her Son. But now
Mary took a new form; she symbolises grace and beauty instead of the
severity and asceticism of the older ideal. This was especially the case
in Seville, the joyous city of the South. Here in exquisite images and
paintings we see her young and happy, the sinless Virgin-Mother of the
Lord. Montañés in sculpture and Murillo in painting were the great
masters of this new ideal. They interpreted the favoured subject with
that combination of naturalism and mysticism which found its way direct
to the heart of the Andalusian religionists. They share together the
claim of being the creators of the Spanish Virgins.
Seville contains several Conceptions by Montañés. There is one in the
cathedral, another of equal merit is in the Segrario Chapel of San
Julian. The Conceptions of Santa Clara and San Clemente are also fine
examples; they have greater merit than the better-known and much-praised
Virgin of the University (Plate 143). It will suffice if we describe one
of these Conceptions.
Public-domain text, read in full here on John Shaqi.
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