The city on the Golden Horn was all agog for the arrival of Barbarossa; no matter what private opinions the inhabitants might have had concerning him, of which we shall hear more presently, they were none the less all curious to a degree to catch sight of this man, so famous in his evil supremacy on that distant shore of Northern Africa. Kheyr-ed-Din, among his other qualities, possessed in the highest degree that of a successful stage-manager; no pageant which he undertook was ever likely to fail from the want of the striking and the dramatic. It was now his business to impress the citizens of Constantinople with an idea of his greatness, and none knew better than he that it is the outward and visible sign which counts among the orientals, more perhaps than the inward and spiritual grace: he may also possibly have felt that he did not possess the latter to any overwhelming extent. Even before he left Algiers this entry to the chief city of the Ottoman Empire had been in the mind of Barbarossa, who had caused to be embarked a quantity of flags and pennons for the decoration of his grim war-galleys when they should stream into the Golden Horn. There were also bands of music, which, it is to be presumed, utilised the delay in the Dardanelles to attain to something like “a concord of sweet sounds,” as the incidents of the voyage from Algiers, so far, had hardly been conducive to much time to spare for band-practice. The galleys were scrubbed and gaily painted; round the ship of Kheyr-ed-Din ran a broad streak of gold on the outer planking to denote the presence of a King of Algiers, and at last all was ready. The fleet weighed anchor, and, with banners flying and bands playing, entered the harbour. The shores were black with spectators; even the Sultan himself deigned to look forth on the coming of the man from whom he expected such great things.