Seeing Europe with Famous Authors, Volume 3: France and the Netherlands, Part 1
History
Seeing Europe with Famous Authors, Volume 3: France and the Netherlands, Part 1
France -- Description and travel; Netherlands -- Description and travel
I found another source of amusement in observing the various personages
that daily passed and repassed beneath my window. The character which
most of all arrested my attention was a poor blind fiddler, whom I
first saw chanting a doleful ballad at the door of a small tavern near
the gate of the village. He wore a brown coat, out at elbows, the
fragment of a velvet waistcoat, and a pair of tight nankeens, so short
as hardly to reach below his calves. A little foraging cap, that had
long since seen its best days, set off an open, good-humored
countenance, bronzed by sun and wind. He was led about by a brisk,
middle-aged woman, in straw hat and wooden shoes; and a little
barefooted boy, with clear, blue eyes and flaxen hair, held a tattered
hat in his hand, in which he collected eleëmosynary sous. The old
fellow had a favorite song, which he used to sing with great glee to a
merry, joyous air, the burden of which ran "Chantons l'amour et le
plaisir!" I often thought it would have been a good lesson for the
crabbed and discontented rich man to have heard this remnant of
humanity--poor, blind, and in rags, and dependent upon casual charity
for his daily bread, singing in so cheerful a voice the charms of
existence, and, as it were, fiddling life away to a merry tune.
I was one morning called to my window by the sound of rustic music. I
looked out and beheld a procession of villagers advancing along the
road, attired in gay dresses, and marching merrily on in the direction
of the church. I soon perceived that it was a marriage-festival. The
procession was led by a long orang-outang of a man, in a straw hat and
white dimity bobcoat, playing on an asthmatic clarionet, from which he
contrived to blow unearthly sounds, ever and anon squeaking off at
right angles from his tune, and winding up with a grand flourish on the
guttural notes. Behind him, led by his little boy, came the blind
fiddler, his honest features glowing with all the hilarity of a rustic
bridal, and, as he stumbled along, sawing away upon his fiddle till he
made all crack again. Then came the happy bridegroom, drest in his
Sunday suit of blue, with a large nosegay in his button-hole; and close
beside him his blushing bride, with downcast eyes, clad in a white robe
and slippers, and wearing a wreath of white roses in her hair. The
friends and relatives brought up the procession; and a troop of village
urchins came shouting along in the rear, scrambling among themselves
for the largess of sous and sugar-plums that now and then issued in
large handfuls from the pockets of a lean man in black, who seemed to
officiate as master of ceremonies on the occasion. I gazed on the
procession till it was out of sight; and when the last wheeze of the
clarionet died upon my ear, I could not help thinking how happy were
they who were thus to dwell together in the peaceful bosom of their
native village, far from the gilded misery and the pestilential vices
of the town.
Public-domain text, read in full here on John Shaqi.
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