"Why, the crops alone and the timber ought to pay for this place in a
couple of months. Why, I'd just love to buy it myself if I was a young
fellow and wasn't so busy. If you come up this way again let me know
when to expect you, because I've got to go up and superintend a fair
next Thursday, and on Friday I'm judging chickens, and Saturday the
school board meets."
It was at this point that fate took a hand in the affairs of the busy
Mr. Sweetser for no sooner had we got into the car and started for home
than a tire blew out.
I sat down under a tree to advise the real estate agent and watch him
fix it. An old man from down the road also came over to watch. He was
chewing a straw, and he wore a pair of suspenders called Sampson. I
asked about the weather first, and he said, without much interest, that
it had been too cool and too rainy. Then he took up the questioning.
"What part of the country are you from?" he inquired.
I said New York, and added New York City.
"Yes; I know," said the farmer. "I've been there. I saw the
Hudson-Fulton celebration. I've seen about everything," he said, "I went
to the San Francisco Exposition."
I nodded, and he went on: "Chicago was the first stop, and then we went
through Kansas. Out of the window you could see wheat and corn all the
way along. It was beautiful. And then by and by we came to the Rocky
Mountains. They're mighty big mountains, and it took three engines to
pull the train up. Sometimes on the curves you could almost touch the
engine. Every now and then we'd go through a tunnel. Then we went down
south into the big desert. There was nothing there but sagebrush. And
they took us up to the Grand Canyon. Did you ever see it?" he asked.
I lied and said yes, but he went on: "The Grand Canyon's 123 miles long
and twenty-five miles wide and one mile deep. I grabbed hold of a tree
and looked over the edge, and down there at the bottom were all kinds of
rocks, red and green and yellow, and there were horses' heads and
horses' hoofs and barns and castles and haystacks and everything better
than an artist could have done."
"I don't suppose you've seen any of these submarines around here," I
interrupted, as a possible diversion.
Public-domain text, read in full here on John Shaqi.
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