Self Help; with Illustrations of Conduct and PerseveranceSmiles, Samuel
Philosophy
Self Help; with Illustrations of Conduct and Perseverance
Smiles, Samuel
Conduct of life
IT so happens that the history of Pottery furnishes some of the most
remarkable instances of patient perseverance to be found in the whole
range of biography. Of these we select three of the most striking, as
exhibited in the lives of Bernard Palissy, the Frenchman; Johann
Friedrich Böttgher, the German; and Josiah Wedgwood, the Englishman.
Though the art of making common vessels of clay was known to most of the
ancient nations, that of manufacturing enamelled earthenware was much
less common. It was, however, practised by the ancient Etruscans,
specimens of whose ware are still to be found in antiquarian collections.
But it became a lost art, and was only recovered at a comparatively
recent date. The Etruscan ware was very valuable in ancient times, a
vase being worth its weight in gold in the time of Augustus. The Moors
seem to have preserved amongst them a knowledge of the art, which they
were found practising in the island of Majorca when it was taken by the
Pisans in 1115. Among the spoil carried away were many plates of Moorish
earthenware, which, in token of triumph, were embedded in the walls of
several of the ancient churches of Pisa, where they are to be seen to
this day. About two centuries later the Italians began to make an
imitation enamelled ware, which they named Majolica, after the Moorish
place of manufacture.
The reviver or re-discoverer of the art of enamelling in Italy was Luca
della Robbia, a Florentine sculptor. Vasari describes him as a man of
indefatigable perseverance, working with his chisel all day and
practising drawing during the greater part of the night. He pursued the
latter art with so much assiduity, that when working late, to prevent his
feet from freezing with the cold, he was accustomed to provide himself
with a basket of shavings, in which he placed them to keep himself warm
and enable him to proceed with his drawings. “Nor,” says Vasari, “am I
in the least astonished at this, since no man ever becomes distinguished
in any art whatsoever who does not early begin to acquire the power of
supporting heat, cold, hunger, thirst, and other discomforts; whereas
those persons deceive themselves altogether who suppose that when taking
their ease and surrounded by all the enjoyments of the world they may
still attain to honourable distinction,—for it is not by sleeping, but by
waking, watching, and labouring continually, that proficiency is attained
and reputation acquired.”
Public-domain text, read in full here on John Shaqi.
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