Sex variant women in literature : $b A historical and quantitative surveyFoster, Jeannette H. (Jeannette Howard)
General
Sex variant women in literature : $b A historical and quantitative survey
Foster, Jeannette H. (Jeannette Howard)
Lesbians in literature; Sex in literature; Women in literature
The mounting stress upon an objective approach to psychological
phenomena had its effect on alert literary minds. (It was not
restricted, of course, to sex or variance). Balzac was the first to
embark deliberately upon a “naturalistic” study of human experience, and
although literary critics observe that his plots are often based on more
or less abstract concepts, none deny that his individual characters show
the fruit of minute observation. By 1857 Flaubert also was maintaining
that “it is time to give it (literary art) the precision of the sciences
by means of a pitiless method,”[4] and later in the century Zola pointed
out that his own practice, as well as his theories set forth in _Le
Roman Experimental_, were “based upon the application of experimental
science to physiology as developed in the writings of Dr. Claude
Bernard.”[5] Each of these three major novelists contributed to the
understanding of female variance, and the same spirit can be detected in
the fiction of several lesser writers who attacked the subject.
Even in the many cases where direct connection cannot be demonstrated
between scientific thought and the imaginative writing under
consideration, there is a perceptible correlation from decade to decade
between quantitative developments in both fields.
Precursors of Modern Fiction
The transition from _galant_ writing of the eighteenth century to modern
fiction with its psychological preoccupation and its elevation of
women’s roles to a position of romantic importance could hardly be
better exemplified than by Diderot’s _La Religieuse_. Superficially,
this novel appears to be a typical pre-revolutionary anti-clerical
effort. As it was undertaken in 1760, only a year after the second
suppression of its author’s major project, _L’Encyclopédie_, it is
tempting to imagine that the Jesuits’ share in that act of censorship
may have been the immediate spur to its inception. Actually _La
Religieuse_ broke new ground, for Diderot’s preoccupation was not so
much the religious shortcomings of the convents depicted, as the morbid
physical and psychological effects of celibacy upon women, especially
when this way of life was not freely elected but enforced by church and
family.
Public-domain text, read in full here on John Shaqi.
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