Shakespearean Playhouses: A History of English Theatres from the Beginnings to the RestorationAdams, Joseph Quincy
History
Shakespearean Playhouses: A History of English Theatres from the Beginnings to the Restoration
Adams, Joseph Quincy
Shakespeare, William, 1564-1616 -- Stage history -- To 1625; Theaters -- England -- London -- History
Such was Farrant's scheme. In searching for a hall suitable for his
purpose, his mind at once turned to the precinct of Blackfriars, where
in former years the Office of the Revels had been kept, and where the
Children had often rehearsed their plays. The precinct had once, as
the name indicates, been in the possession of the Dominican or "Black"
Friars. The Priory buildings had consisted chiefly of a great church
two hundred and twenty feet long and sixty-six feet broad, with a
cloister on the south side of the church forming a square of one
hundred and ten feet, and a smaller cloister to the south of this. At
the dissolution of the religious orders, the property had passed into
the possession of the Crown; hence, though within the city walls, it
was not under the jurisdiction of the city authorities. Farrant
probably did not anticipate any interference on the part of the Common
Council with the royal choristers "practicing" their plays in order
"to yield Her Majesty recreation and delight," yet the absolute
certainty of being free from the adverse legislation of the London
authorities was not to be ignored. Moreover, the precinct was now the
home of many noblemen and wealthy gentlemen, and Farrant probably
thought that, as one of the most fashionable residential districts in
London, it was suitable for "private" performances to be given by
members of Her Majesty's household.
In furthering his project he sought the counsel and aid of his "very
friend" Sir Henry Neville, Lieutenant of Windsor, who, it is to be
presumed, was interested in the Windsor Boys. It happened that Neville
knew of exactly such rooms as were desired, rooms in the old monastery
of Blackfriars which he himself had once leased as a residence, and
which, he heard, were "to be let either presently, or very shortly."
These rooms were in the southwestern corner of the monastery, on the
upper floor of two adjoining buildings formerly used by the monks as a
buttery and a frater. A history of the rooms up to the time of their
use as a theatre may be briefly sketched.
In 1548 the buttery and frater, with certain other buildings, were let
by King Edward to Sir Thomas Cawarden, Master of the Revels; and in
1550 they were granted to him outright. In 1554 Cawarden sold the
northern section of the buttery, fifty-two feet in length, to Lord
Cobham, whose mansion it adjoined. The rest of the buttery, forty-six
feet in length, and the frater, he converted into lodgings. Since the
frater was of exceptional breadth--fifty-two feet on the outside,
forty-six feet on the inside--he ran a partition through its length,
dividing it into two parts. The section of the frater on the west of
this partition he let to Sir Richard Frith; the section on the east,
with the remainder of the buttery not sold to Lord Cobham, he let to
Sir John Cheeke. It is with the Cheeke Lodgings that we are especially
concerned.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account