In the course of time, More's anxiety to recover possession of the hall seems to have increased. The quarterly payments were not promptly met by the widow, and the repairs on the building were not made to his satisfaction. Probably through fear of the increasing dissatisfaction on the part of More, Hunnis and Newman transferred their lease, in 1583, to a young Welsh scrivener, Henry Evans, who had become interested in dramatic affairs. This transfer of the lease without More's written consent was a second clear breach of the original contract, and it gave More exactly the opportunity he sought. Accordingly, he declared the original lease to Farrant void, and made a new lease of the house "unto his own man, Thomas Smallpiece, to try the said Evans his right." But Evans, being a lawyer, knew how to take care of himself. He "demurred in law," and "kept the same in his hands with long delays." The widow, alarmed at the prospect of losing her lease, brought suit, in December, 1583, against Hunnis and Newman separately for the forfeiture of their several bonds of L100, contending that they had not paid promptly according to their agreement, and had not kept the building in proper repair. Hunnis and Newman separately brought suit in the Court of Requests for relief against the widow's suits. Meanwhile More was demanding judgment against Evans. Hunnis, it seems, carried his troubles to the Court and there sought help. Queen Elizabeth could take no direct action, because Sir William More was a good friend of hers, who had entertained her in his home. But she might enlist the aid of one of her noblemen who were interested in the drama. However this was, the young Earl of Oxford, himself a playwright and the patron of a troupe of boy-actors, came to the rescue of the theatre. He bought the lease of the building from Evans, and undertook to reorganize its affairs. To Hunnis's twelve Children of the Chapel he added the Children of St. Paul's Cathedral, making thus a company of adequate size. He retained Hunnis, no doubt, as one of the trainers of the Boys, and he kept Evans as manager of the troupe. Moreover, shortly after the purchase, probably in June, 1583, he made a free gift of the lease to his private secretary, John Lyly, a young man who had recently won fame with the first English novel, _Euphues_. The object of this, like the preceding transfers of title, it seems, was to put as many legal blocks in the path of Sir William More as possible. More realized this, and complained specifically that "the title was posted from one to another"; yet he had firmly made up his mind to recover the property, and in spite of Oxford's interference, he instructed his "learned council" to "demand judgment."