"We are not going to the country after all," he said; "Hanka thought--In
fact, I told her plainly that if she wanted to go she would have to go
alone; I was too busy to think of getting off. Hanka was very nice about
it; she agreed to stay in the city."
The door opened and Milde entered. The corpulent chap beamed happily and
shouted, full of the great sensation he was going to spring:
"Congratulate me, good people, I have won the prize! Imagine, in its
inscrutable wisdom the ministry has chosen to bestow the subsidy upon me!"
"Have _you_ received the subsidy?" asked Irgens slowly.
"Yes, can you understand it? How it happened I am at a loss to know. I got
it from under your very noses! I hear that you, too, applied, Irgens?"
Silence fell upon the crowd at the table. Nobody had expected that, and
they were all wondering what influence had been brought to bear. Milde had
got the subsidy--what next?
"Well, I congratulate you!" said Tidemand, and gave Milde his hand.
"Thank you," Milde replied. "I want you to lend me some money now, so that
I can celebrate properly; you'll get it back when I cash in."
Irgens looked at his watch as if he suddenly remembered something and got
up.
"I, too, congratulate you," he said. "I am sorry to have to leave at once;
I have to--No; my object in applying was an entirely different one; I'll
tell you about it later," he added in order to hide his disappointment.
Irgens went home. So Milde had been chosen! That was the way Norway
rewarded her talents. Here he had hurled his inspired lyric in their
faces, and they did not even know what it was! _Whom_ had they
preferred? None other than oil-painter Milde, collector of ladies'
corsets!
Of course, he knew how it had happened; Paulsberg was behind it. Paulsberg
had supported Milde's application, and Milde had painted Paulsberg's
picture. A simon-pure advertising conspiracy! And when Irgens passed the
Arrow and saw the painting he spat contemptuously on the pavement. He had
seen through this hypocritical scurviness. However, he would find means to
make himself felt.
But why in the world should Lars Paulsberg be allowed to dispose of these
subsidies? True, he had never let slip an opportunity to ingratiate
himself with the newspapers; he had his press-agents; he took good care
that his name shouldn't be forgotten. But apart from that? Alas, a few
novels in the style of the seventies, a popular and amateurish criticism
of such a moss-grown dogma as the Atonement! What did it amount to when
one looked at it critically? But the fact that he had the press behind him
made his words carry weight. Yes, he was certainly a shrewd and thrifty
soul, a real backwoods bargain-hunter. He knew what he was doing when he
even allowed his wife to accept Journalist Gregersen's beer-perfumed
attentions! Faugh, what a sordid mess!
Public-domain text, read in full here on John Shaqi.
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