French fiction -- 19th century; Sand, George, 1804-1876
"I don't interfere with your means of existence, I have no right to do
it. I have not the good or ill fortune to be your mother; but I am your
sister,--_in Apollo_, as our classic Bernard says,--and it is impossible
for me not to be grieved by your spasms of indolence."
"But what difference can it make to you?" cried Laurent, with a mingling
of irritation and pleasure which Thérèse felt, and which impelled her
to reply frankly.
"Listen, my dear Laurent," she said, "we must have an understanding. I
have a very great friendship for you."
"I am very proud of it, but I do not know why! Indeed, I am of no use as
a friend, Thérèse. I have no more belief in friendship than in love
between a man and woman."
"You have told me that before, and it makes no difference to me what you
do or do not believe. For my own part, I believe in what I feel, and I
feel both interest and affection for you. I am like that: I cannot
endure to have any person whatsoever about me without becoming attached
to him and wishing that he might be happy. I am accustomed to do my
utmost in that direction, without caring whether the person in question
is grateful to me or not. Now you are not any person whatsoever, you are
a man of genius, and, what is more, a man of heart, I trust."
"I, a man of heart? Yes, if you use the term in the ordinary worldly
meaning. I know how to fight a duel, pay my debts, and defend the woman
to whom I offer my arm, whoever she may be. But if you consider me
tender-hearted, loving, artless----"
"I know that you affect to be old, blasé and corrupt. But your
affectation produces no effect on me. It is a very popular fashion at
the present time. In your case, it is a disease, genuine it may be and
painful, but it will pass away when you choose. You are a man of heart,
for the very reason that you suffer because of the emptiness of your
heart; a woman will come along who will fill it, if she knows how to go
about it and if you will let her. But this is outside of my subject; I
am speaking to the artist; the man in you is unhappy, only because the
artist is not satisfied with himself."
Public-domain text, read in full here on John Shaqi.
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