French fiction -- 19th century; Sand, George, 1804-1876
"My despised palette? You do not understand me, Thérèse! It is an
instrument of glory, I know that perfectly well; and what people call
glory is the esteem accorded to talent, purer and more delicious than
that accorded to titles and wealth. Therefore it is a very great
privilege and a very great pleasure for me to say to myself: 'I am only
a poor, penniless gentleman, and my equals, who do not derogate from
their station, lead the lives of gamekeepers and foregather with
gleaners of dead wood, whom they pay in fire-wood. But I have derogated,
I have adopted a profession, and the result is that when I, at
twenty-four years of age, ride a hired horse among the richest and
noblest of Paris, mounted on horses worth ten thousand francs, if there
happens to be a man of taste or a woman of intelligence among the idlers
seated along the Champs-Elysées, I am stared at and pointed out, and
not the others----' You laugh! do you think me very vain?"
"No, but very like a child, thank God! You won't kill yourself."
"Why, I have not the slightest inclination to kill myself. I love myself
as much as other men love themselves; indeed, I love myself with all my
heart, I swear! But I say that my palette, the instrument of my glory,
is the instrument of my torture, since I cannot work without suffering.
Thereupon I seek in dissipation, not death of body or mind, but to
fatigue and tranquillize my nerves. This is the whole of it, Thérèse.
What is there in that that is not reasonable? I cannot work decently
except when I am ready to drop with fatigue."
"That is true," said Thérèse, "I have noticed it, and I wonder at it
as an anomaly; but I am very much afraid that method of working will
kill you; indeed, I cannot imagine how it can be otherwise. Stay, answer
one question: did you begin life by hard work and abstinence, and did
you feel the necessity of seeking distraction for the sake of rest?"
"No; just the opposite. When I left school, I was very fond of painting,
but did not expect that I should ever be compelled to paint. I believed
that I was rich. My father died leaving only about thirty thousand
francs, which I made haste to devour, in order to have at least one year
of luxury in my life. When I found that I was stranded, I took to the
brush; I have been pulled to pieces, and lauded to the clouds, which, in
our day, constitutes the greatest possible success, and now I lead a
life of luxury and pleasure from time to time, for a few months or a few
weeks, so long as the money lasts. When it is all gone, I have no fault
to find, for I am always at the end of my strength and my desires alike.
Thereupon I go back to my work, frantically, with mingled sorrow and
ecstasy, and when the work is finished, idleness and extravagance begin
again."
"Have you been leading this life long?"
"Nothing can be long at my age! About three years."
Public-domain text, read in full here on John Shaqi.
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