There used to be very good circuses in Venice, where many Venetians had the only opportunity of their lives to see a horse. The horses were the great attraction for them, and, perhaps in concession to their habitual destitution in this respect, the riding was providentially very good. It was so good that it did not bore me, as circus-riding mostly does, especially that of the silk-clad jockey who stands in his high boots, on his back-bared horse, and ends by waving an American flag in triumph at having been so tiresome. I am at a loss to know why they make such an ado about the lady who jumps through paper hoops, which have first had holes poked in them to render her transit easy, or why it should be thought such a merit in her to hop over a succession of banners which are swept under her feet in a manner to minify her exertion almost to nothing, but I observe it is so at all circuses. At my first Venetian circus, which was on a broad expanse of the Riva degli Schiavoni, there was a girl who flung herself to the ground and back to her horse again, holding by his mane with one hand, quite like the goddess out of the bath-gown at my village circus the other day; and apparently there are more circuses in the world than circus events. It must be as hard to think up anything new in that kind as in romanticistic fiction, which circus-acting otherwise largely resembles. At a circus which played all one winter in Florence I saw for the first time-outside of polite society--the clown in evening dress, who now seems essential to all circuses of metropolitan pretensions, and whom I missed so gladly at my village circus. He is nearly as futile as the lady clown, who is one of the saddest and strangest developments of New Womanhood. Of the clowns who do not speak, I believe I like most the clown who catches a succession of peak-crowned soft hats on his head, when thrown across the ring by an accomplice. This is a very pretty sight always, and at the Hippodrome in Paris I once saw a gifted creature take his stand high up on the benches among the audience and catch these hats on his head from a flight of a hundred feet through the air. This made me proud of human nature, which is often so humiliating; and altogether I do not think that after a real country circus there are many better things in life than the Hippodrome. It had a state, a dignity, a smoothness, a polish, which I should not know where to match, and when the superb coach drove into the ring to convey the lady performers to the scene of their events, there was a majesty in the effect which I doubt if courts have the power to rival. Still, it should be remembered that I have never been at court, and speak from a knowledge of the Hippodrome only. AT A DIME MUSEUM