Short stories and selections for use in the secondary schools
General
Short stories and selections for use in the secondary schools
English prose literature; Readers; Short stories
Between the black flurries of the wind, striking the sea like flails,
came momentary pauses or long silences. In one of these the woman raised
her arms, she the while unheeding the cold tide wash about her feet,
where she stood insecurely on the wet slippery tangle.
Seven years ago this woman had taken the one child she had, that she did
not believe to be her own but a changeling, and had put it on the shore
at the extreme edge of the tide-reach, and had left it for the space of
an hour. When she came back, the child she had left with a numbness on
its face and with the curse of dumbness, was laughing wild, and when she
came near, it put out its arms and gave the cry of the young of birds.
She lifted the "leanav" in her arms and stared into its eyes, but there
was no longer the weary blankness, and the little one yearned with the
petulant laughing and idle whimpering of the children of other mothers.
And that mother there gave a cry of joy, and with a singing heart went
home.
It was in the seventh year after that finding by the sea, that one day,
when a cold wind was blowing from the west, the child Morag came in by
the peat-fire, where her mother was boiling the porridge, and looked at
her without speaking. The mother turned at that, and looked at Morag.
Her heart sank like a pool-lily at shadow, when she saw that Morag had
woven a wreath of brown tangled seaweed into her hair. But that was
nothing to the bite in her breast when the girl began singing a song
that had not a word in it she had ever heard on her own or other lips,
but was wild as the sound of the tide calling in dark nights of cloud
and wind, or as the sudden coming of waves over a quiet sea in the
silence of the black hours of sleep.
"What is it, Morag-mo-run?" she asked, her voice like a reed in the
wind.
"It's time," says Morag, with a change in her eyes, and her face shining
with a gleam on it.
"Time for what, Morag?"
"For me to be going back to the place I came from."
"And where will that be?"
"Where would it be but to the place you took me out of, and called
across?"
The mother gave a cry and a sob. "Sure, now, Morag-a-ghraidh, you will
be my own lass and no other?"
"Whist, woman," answered the girl; "don't you hear the laughing in the
burn, [Footnote: Burn: a small stream.] and the hoarse voice out in the
sea?"
"That I do not, O Morag-mo-chridh, and sure it's black sorrow to you and
to me hearing that hoarse voice and that thin laughing."
"Well, sorrow or no sorrow, I'm off now, poor woman. [Footnote: Poor
woman: a friendly term of address in Ireland.] And it's good-bye, and a
good-bye to you I'll be saying to you, poor woman. Sure it's a sorrow to
me to leave you in grief, but if you'll go down to the edge of the
water, at the place you took me from, where the runnin' water falls into
the sea-pool, you'll be having there against your breast in no time the
child of your own that I never was and never could be."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account