French fiction -- Translations into English; Short stories, French -- Translations into English
It was a singular figure, that of the dealer: an immense cranium,
polished like a knee, and surrounded by a meagre aureole of white hair
that brought out all the more vividly the clear salmon tint of the
skin, gave him a false air of patriarchal simplicity--contradicted,
on the other hand, by the sparkling of two little yellow eyes, which
trembled in their orbits like two _louis d’ors_ on a surface of
quicksilver. The curve of the nose presented an aquiline silhouette
which recalled the Oriental or Jewish type. His hands--thin, bony,
veined, full of sinews stretched like the strings on the neck of a
violin, and armed with talons resembling those which terminate the
membranous wings of a bat--shook with a senile movement disquieting
to see. But those feverishly nail-bitten hands became firmer than
lobster-claws or steel pincers when they lifted some precious piece--an
onyx carving, a Venetian cup, or a plate of Bohemian crystal. This old
rascal had an aspect so profoundly rabbinical and cabalistic that three
centuries ago they would have burned him merely from the evidence of
his face.
“Will you not buy something from me to-day, Monsieur? Here is a Malay
kris with a blade undulating like a flame: see those grooves to serve
as gutters for the blood, those teeth fashioned and set inversely so as
to rip out the entrails when the dagger is withdrawn. It is a fine type
of ferocious weapon, and would look very well among your trophies. This
two-handed sword is very beautiful--it is a José de la Hera; and this
_colichemarde_ with perforated guard, what a superb piece of work!”
“No, I have plenty of arms and instruments of carnage. I want a
figurine, something that would do for a paper-weight, for I cannot
endure those stock bronzes which the stationers sell, and which may be
found on any desk.”
The old gnome, foraging among his antiquities, finally arranged
before me several antique bronzes--so called, at least; fragments of
malachite; little Hindu or Chinese idols, a kind of poussah toys made
of jade, showing the incarnation of Brahma or of Vishnu, marvellously
well-suited for the sufficiently ungodlike purpose of holding papers
and letters in place.
I was hesitating between a porcelain dragon all starred with warts,
its jaws adorned with tusks and bristling whiskers, and a highly
abominable little Mexican fetich, representing the god Vitziliputzili
_au naturel_, when I noticed a charming foot which I at first took for
a fragment of an antique Venus.
It had those beautiful tawny and ruddy tints which give to Florentine
bronze that warm and vivacious look so preferable to the grayish
green tone of ordinary bronze, which might be taken for statues
in putrefaction. Satiny lights frisked over its form, rounded and
polished by the loving kisses of twenty centuries; for it seemed to
be a Corinthian bronze, a work of the best era, perhaps a casting by
Lysippus!
Public-domain text, read in full here on John Shaqi.
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