Short-story masterpieces, Vol. 2 : $b French — John Shaqi
Short-story masterpieces, Vol. 2 : $b French
General
Short-story masterpieces, Vol. 2 : $b French
French fiction -- Translations into English; Short stories, French -- Translations into English
“This foot will be the thing for me,” said I to the merchant, who
regarded me with an ironical and saturnine air as he held out the
desired object for me to examine at will.
I was surprised at its lightness; it was not a foot of metal, but
indeed a foot of flesh, an embalmed foot, a foot of a mummy; on
examining it still more closely one could see the grain of the skin,
and the lines almost imperceptibly impressed upon it by the texture
of the bandages. The toes were slender, delicate, terminated by
perfect nails, pure and transparent as agates; the great toe, slightly
separate, and contrasting happily with the modelling of the other
toes, in the antique style, gave it an air of lightness, the grace of
a bird’s foot; the sole, scarcely streaked by several almost invisible
grooves, showed that it had never touched the earth, and had come in
contact with only the finest matting of Nile rushes and the softest
carpets of panther skin.
“Ha, ha! You wish the foot of the Princess Hermonthis!” exclaimed the
merchant, with a strange chuckle, fixing upon me his owlish eyes.
“Ha, ha, ha!--for a paper-weight! Original idea! Artistic idea! If
any one would have said to old Pharaoh that the foot of his adored
daughter would serve for a paper-weight, he would have been greatly
surprised, considering that he had had a mountain of granite hollowed
out to hold the triple coffin, painted and gilded and all covered
with hieroglyphics and beautiful paintings of the Judgment of Souls,”
continued the singular little merchant, half aloud, and as though
talking to himself.
“How much will you charge me for this mummy fragment?”
“Ah, the highest price I am able, for it is a superb piece: if I had
its counterpart, you could not have it for less than five hundred
francs; the daughter of a Pharaoh, nothing is more rare!”
“Assuredly it is not common; but still, how much do you want? In the
first place, let me tell you something, and that is, my entire treasure
consists of only five louis: I can buy anything that costs five louis,
but nothing dearer. You might search my innermost waistcoat pockets,
and my most secret desk-drawers, without finding even one miserable
five-franc piece more.”
“Five louis for the foot of the Princess Hermonthis! That is very
little, very little, in truth, for an authentic foot,” muttered the
merchant, shaking his head and rolling his eyes.
“All right, take it, and I will give you the bandages into the
bargain,” he added, wrapping it in an ancient damask rag. “Very fine:
real damask, Indian damask, which has never been redyed; it is strong,
it is soft,” he mumbled, passing his fingers over the frayed tissue,
from the commercial habit which moved him to praise an object of so
little value that he himself judged it worth only being given away.
He poured the gold pieces into a sort of mediæval alms-purse hanging at
his belt, as he kept on saying:
“The foot of the Princess Hermonthis to serve as a paper-weight!”
Public-domain text, read in full here on John Shaqi.
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