Humorous stories; New York (N.Y.) -- Fiction; Short stories, American
Then she had such a weird way of glidin' around silent, and of shrinkin'
into corners, and flattenin' herself against the wall whenever she met
anyone. Meek and lowly? Say, every motion she made seemed to be sort of
a dumb apology for existin' at all! And if she had to go through a room
where I was, or pass me in the hall, she'd sort of duck her head, hold
one hand over her mouth, and scuttle along like a mouse beatin' it for
his hole.
You needn't think I'm pilin' on the agony, either. I couldn't exaggerate
Lindy if I tried. And if you imagine it's cheerin' to have a human being
as humble as all that around, you're mistaken. Kind of made me feel as
if I was a slave driver crackin' the whip.
And there wa'n't any special reason that I could see for her actin' that
way. Outside of her clothes, she wa'n't such a freak. That is, she
wa'n't deformed, or anything like that. She wa'n't even wrinkled or gray
haired; though how she kept from growin' that way I couldn't figure out.
I put it down that her lonesome, old maid existence must have struck in
and paralyzed her soul.
There was another queer quirk to her too. Work up as much sympathy as
you wanted to, you couldn't do anything for her. Sadie ain't slow at
that, you know. She got int'rested in her right off, and when she
discovers how Lindy lives in a couple of cheap rooms down in the Bronx
all by herself, and never goes anywhere or has any fun, she proceeds to
spring her usual uplift methods. Wouldn't Lindy like a ticket to a nice
concert? No, thanks, Lindy didn't care much about music. Or the theater?
No, Lindy says she's afraid to go trapesin' around town after dark.
Wouldn't she quit work for an hour or so and come for a spin in the car,
just to get the air? Lindy puts her hand over her mouth and shakes her
head. Automobiles made her nervous. She tried one once, and was so
scared she couldn't work for two hours after. The subway trains were bad
enough, goodness knows!
I couldn't begin to tell you all the things Lindy was afraid
of,--crowds, the dark, of getting lost, of meetin' strangers, of tryin'
anything new. I remember seein' her once, comin' out on the train. She's
squeezed into the end seat behind the door, and was huddled up there,
grippin' a little black travelin' bag in one hand and a rusty umbrella
in the other, and keepin' her eyes on the floor, for all the world like
she'd run away from somewhere and was stealin' a ride. Get it, do you?
But wait! There was one point where Lindy had it on most of us. She
knew where she was goin'. Didn't seem to have any past worth speakin'
about, except that she'd been born in England,--father used to keep a
little store on some side street in Dover,--and she'd come over here
alone when she was quite a girl. As for the present--well, I've been
tryin' to give you a bird's-eye view of that.
Public-domain text, read in full here on John Shaqi.
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