China -- Social life and customs; National characteristics, Chinese
I have described the idol in the home, and I will conclude now by giving a
description of a temple scene such as may be witnessed on the birthday of
the chief idol or on the first or the fifteenth of the moon, which days
are supposed to be specially lucky for those who wish to make their
offerings to the gods.
The temple I am about to describe is situated on a rising hill that has an
outlook of great natural beauty. Immediately below it and stretching
considerably in the distance is a large city containing over one hundred
thousand inhabitants, that live in the confined streets that look from the
temple like narrow arteries along which the human tide ebbs and flows
without cessation. Beyond the town there runs an arm of the sea, dotted
with numerous islets and sparkling with the rays of the great Eastern sun,
which he flashes on islands and capes, and the sails of the junks that are
passing up and down from the inland waters to the coast. Further on and
completely filling up the background are ranges of mountains with the
great shadows resting on them and their lofty peaks bathed in sunlight,
whilst here and there the floating clouds rest like beautiful crowns upon
the summits of some that tower the highest amongst them towards the blue
sky.
The scene in the temple and its surroundings was very charming and
attractive, for the sun shone upon the temple, and played amongst the
solemn-looking pine-trees, and sent his rays down courtyards that seemed
to delight in shadow, till everything appeared to be laughing for very
joy. Even the idols looked as though they had caught the spirit of the
day, and the "God of War" appeared to be less stern and bloodthirsty than
was his wont, and the "God of Literature" had put on a light and jaunty
air, hardly in keeping with the profound subjects that ever claim his
attention.
[Illustration: THE WHITE STAR TEMPLE (NANKIN).]
But see! here come the people from the great city below, slowly winding
their way up the stone steps that the feet of countless worshippers in the
years gone by have worn smooth and thin. Some few are coming with purposes
intent upon appealing to the "Goddess of Mercy," for their faces are
sombre, and the shadows of troubles from which they hope the idol may
deliver them, cover them with a sad and sorrowful aspect. Others, again,
have come for an outing and to get out of their monotonous surroundings,
to catch a glimpse of the far-off hills, and to see the sun as he puts
forth his powers to turn the world into a thing of beauty.
Public-domain text, read in full here on John Shaqi.
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